Two Concerts at League's National Conference,
MUSIC CentriCITY, Highlight Orchestras' Commitment to Innovative Programming, Collective Action, and Topical New Works Hannibal Lokumbe's Crucifixion Resurrection: Nine Souls a-Traveling, Honors the Victims of the 2015 Mass Shooting at Charleston's Mother Emanuel African Methodist Episcopal Church Free Concert on June 4 at Nashville's Historic Downtown Presbyterian Church Preceded by Conference Delegate "Walk of Love" Conference Hosts Nashville Symphony and Music Director Giancarlo Guerrero to Perform Multimedia Version of Carmina Burana with the Nashville Ballet; Joan Tower's Sixth Fanfare for the Uncommon Woman; Jonathan Leshnoff's Symphony No. 4, "Heichalos," June 3 at Schermerhorn Symphony Center |
New York, NY (May 16, 2019) – Two
concerts taking place during the League of American Orchestras' 74th
National Conference in Nashville (June 3-5) illustrate orchestras'
increasingly innovative programming, including poignant new works based
on topical events that edge towards social justice.
Written to honor the victims of the
2015 mass shooting at Charleston's Mother Emanuel African Methodist
Episcopal Church, Hannibal Lokumbe's
Crucifixion Resurrection: Nine Souls a-Traveling
will be performed by Intersection Contemporary Music Ensemble, with
Artistic Director Kelly Corcoran conducting, in a free concert on June
4, 5:30-6:30pm, at Downtown Presbyterian Church, 154 5th Avenue North.
Scored for jazz ensemble, chorus, narrators, and vocal soloists, the
work honors the nine victims of the mass shooting at Mother Emanuel
African Methodist Episcopal Church in Charleston, SC.
This performance is sponsored by a generous gift from the CHG Charitable Trust, as recommended by Carole Haas Gravagno.
Envisioned by Lokumbe as an integral
part of his piece, a meditative "Walk of Love" will precede the concert.
At 5 p.m., Conference delegates will convene in the lobby of Omni Hotel
with Nashville community members to participate in a silent walk to
Downtown Presbyterian Church. Participants will hold banners
commemorating the nine victims of the mass shooting; the twelve-minute
reflective experience will serve as a prequel to the commemorative work.
Conference hosts Nashville Symphony
and Music Director Giancarlo Guerrero will perform a rich program at
Schermerhorn Symphony Center on June 3, including Jonathan Leshnoff's
Symphony No. 4,
"Heichalos," a work commissioned by the Nashville Symphony for the
Violins of Hope, instruments played by Jewish musicians during the
Holocaust. Joan Tower's
Sixth Fanfare for the Uncommon Woman
and Barber's
Adagio for Strings
are also on the program; as well as an exciting new production of Orff's
Carmina Burana
featuring the Nashville Ballet and an original film by Duncan Copp.
Tower is this year's recipient of the Gold Baton Award, the League's
highest honor, which she'll receive on June 4.
Additional Performances:
June 3, 1-2:30pm:
During the Conference's Opening Plenary, students in Nashville
Symphony's Accelerando initiative will premiere a new work by composer
(and Nashville Symphony violist) Christopher Farrell. Accelerando is an
intensive music education program designed to prepare gifted young
students of diverse ethnic backgrounds to pursue music at the collegiate
level and beyond, forming the next generation of orchestra musicians.
June 5, 1:30-3:00pm:
Time for Three—violinist Nicolas (Nick) Kendall, violinist Charles Yang,
and double-bassist Ranaan Meyer—will close the Conference. Time for
Three defies traditional genre classification; with an uncommon mix of
virtuosity and showmanship, the American trio performs music from Bach
to Brahms and beyond, giving world-premieres by Pulitzer Prize-winners
William Bolcom and Jennifer Higdon, as well as playing originals and
their own arrangements of everything from bluegrass and folk tunes to
mash-ups
of hits by the Beatles, Kanye West, Katy Perry, Justin Timberlake, and
more. Time for Three will play genre-bending works that demonstrate the
way that classical musicians can easily cross between musical cultures.
About 1,000 orchestra
stakeholders—managers, musicians, trustees, volunteers, and business
partners—will attend the Conference, which will take place at the Omni
Hotel and at the Nashville Symphony's concert hall, Schermerhorn
Symphony Center, June 3-5. Visit
www.leagueconference2019.org
for full details and to register.
The League of American Orchestras
leads, supports, and champions America's orchestras and the vitality of
the music they perform. Its diverse membership of more than 2,000
organizations and individuals across North America runs the gamut from
world-renowned orchestras to community groups, from summer festivals to
student and youth ensembles, from conservatories to libraries, from
businesses serving orchestras to individuals who love symphonic music.
The only national organization dedicated solely
to the orchestral experience, the League is a nexus of knowledge and
innovation, advocacy, and leadership advancement. Its conferences and
events, award-winning Symphony magazine, website, and other publications
inform people around the world about orchestral activity and
developments. Founded in 1942 and chartered by Congress in 1962, the
League links a national network of thousands of instrumentalists,
conductors, managers and administrators, board members, volunteers, and
business partners. Visit
americanorchestras.org.
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