Saturday, February 24, 2018

TacomaWeekly.com: TCC [Tacoma Community College] Orchestra to feature works by African American composers, Friday, March 2 at 7:30 PM

Dr. Nse Ekpo will be a guest conductor of Scott Joplin’s classical ragtime compositions when the TCC Orchestra performs works by a trio of African American composers on March 2. Photo courtesy of Nse Ekpo

Tacoma Weekly

By Dave Davison

February 23, 2018


The Tacoma Community College Orchestra, conducted by Dr. John Falskow and Dr. Nse Ekpo, is slated to perform a concert March 2 at 7:30 p.m. The program, featuring music by African-American composers, is called “American Expressions.”
On the schedule for the evening are three of Scott Joplin’s ragtime compositions, from “The Red Back Book;” George Walker’s “Lyric for Strings” and Florence Price’s “Symphony No. 1.”

Price is especially interesting. She was an African American composer who was based in Chicago. Born in Little Rock, Ark. in 1887, she died in 1953 and her music was largely neglected during her lifetime, though she did receive some national attention and some of her works were performed by the Chicago Symphony.

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Joplin (1868-1917), the “King of Ragtime,” wrote 44 ragtime pieces, one ragtime ballet and two operas over the span of his career. Joplin refined the ragtime music of honky-tonk piano players and combined Afro-American music’s syncopation with 19th-century European romanticism to elevate the form.

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Walker, who is still with us, is the first African American composer to win the Pulitzer Prize for Music, which was awarded for “Lilacs” in 1996. “Lyric for Strings,” the piece to be played by the TCC Orchestra, was written in 1946 after the death of Walker’s grandmother. It was composed while Walker was a graduate student at the Curtis Institute of Music. After a brief introduction, the principal theme is stated by the first violins with imitations appearing in the other instruments. The linear nature of the material alternates with static moments of harmony.  After the second of two climaxes, the work concludes with reposeful cadences that were presented earlier.

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