James P. Johnson, African American Composer of 'Yamekraw, A Negro Rhapsody' & Stride Pianist, Born February 1, 1894 in New Brunswick, New Jersey

Victory Stride: The Symphonic Music of James P. Johnson

The Concordia Orchestra

Marin Alsop, Conductor

 Music Masters 67140 (1994)

Jazz Nocturne: American Concertos of the Jazz AgeHot Springs Music Festival Symphony Orchestra
Richard Rosenberg
Naxos 8.559647

James Price Johnson  (1894-1955)
African American Pianist & Composer

of Stride Piano & Classical Music

is featured at AfriClassical.com

On January 19, 2014 AfriClassical posted:

John Malveaux: Santa Monica Symphony Performs 'Harlem Symphony' of James P. Johnson in Observance of Martin Luther King, Jr. Holiday

The African American composer and pianist James Price Johnson was born on Feb. 1, 1894 in New Brunswick, New Jersey. He is profiled at AfriClassical.com. His biography is James P. Johnson: A Case of Mistaken Identity by Scott E. Brown. Brown also wrote the liner notes for the CD Victory Stride: The Symphonic Music of James P. Johnson, Music Masters 67140 (1994). Pianist Leslie Stifelman and The Concordia Orchestra are led by Marin Alsop, conductor. Dr. Dominique-René de Lerma of Lawrence University in Appleton, Wisconsin has specialized in Black composers for four decades, and has made his research available to this website.

In his liner notes for Victory Stride, Scott E. Brown points out that James P. Johnson was called the Father of Stride Piano. Brown also emphasize the importance of James P. Johnson's Carolina Shout, saying it "...is considered by many to be the first recorded jazz piano solo (1921)." Scott Brown continues: "As a composer, he scored all or part of at least 16 musical revues during the 1920s. Out of his 1923 Broadway production Runnin' Wild came the tune and dance most closely associated with the entire decade, the 'Charleston.'” 

Prof. Dominique-René de Lerma wrote the liner notes for the CD Got the Saint-Louis Blues: Classical Music in the Jazz Age, Clarion CLR907 (2004), which includes a performance of Johnson's Yamekraw: A Negro Rhapsody (15:49) by pianist Paul Shaw and the VocalEssence Ensemble conducted by Philip Brunelle. Dr. De Lerma relates that Johnson's music studies with Bruto Giannini were followed by piano lessons from Eubie Blake. He continues: "Toward the end of the 1920s, Johnson began devoting time to the study of orchestration, counterpoint, and harmony." Prof. De Lerma explains that Yamekraw was written to celebrate an African American community in Georgia. He also provides details of the work's orchestration and premiere: "Written in celebration of a black community on the outskirts of Savannah, Yamekraw: A Negro Rhapsody (1927) was first performed by Fats Waller in a Carnegie Hall concert organized by William C. Handy. It seems most likely that Johnson's relative inexperience in orchestral writing prompted him to ask William Grant Still to rework the score in 1928." Richard Rosenberg led the Hot Springs Music Festival Symphony Orchestra in a dynamic 2009 recording of the work on the Naxos label.