Friday, May 26, 2017

Paragon Ragtime Orchestra: The Scott Joplin Centennial Memorial Concert May 27 in Queens, New York 2:00 pm, Saturday St. Michael's Cemetery

THIS SATURDAY! 

May 27 in Queens, New York  2:00 pm

At SCOTT JOPLIN'S FINAL RESTING PLACE - St. Michael's Cemetery
72-02 Astoria Blvd., East Elmhurst, NY 11370  
~ FREE ADMISSION! ~
Telephone: 718-278-3240
Website: www.stmichaelscemetery.com

Produced by noted Joplin biographer Edward A. Berlin

Please join the Paragon Ragtime Orchestra and conductor Rick Benjamin as they mark the Centennial of the death of  SCOTT JOPLIN (c.1867-1917) with a special memorial concert performed just steps away from the composer's grave in historic St. Michael's Cemetery. Featuring Joplin favorites (and rarities) played from original 1900s scores, this will be a joyful, moving event bringing together Scott Joplin enthusiasts from around the world. Please come to pay your respects and celebrate the rich musical legacy of this great American artist. 

~ FREE ADMISSION! ~

Trident Ensemble with Bass-Baritone Jonathan Woody Performs at St. Mary The Virgin, New York City, 7:30 PM Saturday, May 27, 2017

 

 

Jonathan Woody
Bass-Baritone

 

Eric Conway: On this past Monday, May 22, 2017, the Morgan State University Choir left for our tour of Spain and Portugal















Dr. Eric Conway writes:

Hello Morgan State University Choir followers,

On this past Monday, May 22, 2017, the Morgan State University Choir left for our 2017 international tour.  This year we will tour the countries of Spain and Portugal. As is usual, the choir typically leaves a few days after the end of the semester and commencement.

On Saturday May 20th, Morgan held its sesquicentennial commencement exercises. As many as eleven choir members managed to complete their degrees this year! Congratulations to those graduates of which six are on this year's tour!  This year was especially exciting due to former Vice-President Joe Biden serving as the commencement speaker!  If commencement were not enough excitement for the day, the choir was asked to sing the national anthem at Maryland Day at the ballpark at Camden Yards!  Rather than have my choir members come back out after a long commencement ceremony, I arranged for one choir member to represent the choir - Cameron Potts - who represented well - see link below of his rendition!v


On Monday at 9AM, we left via Reagan National, and Boston Logan airports for Madrid, Spain.  For the first time in some time, all persons were accounted for and departed relatively on time, with no airline delays, or anyone losing their luggage.  It appears that every time we fly to a new destination, we fly on a new airline - this time on Iberia airlines, a Spanish airline.  Service was fine and we enthusiastically arrived to the Madrid airport.  After retrieving all of our bags, our coach bus was outside waiting for us.  Our adventure was about to begin!

After a long day of travel, we arrived in Madrid around 6:25 AM on Tuesday morning.  Given that we were not able to check into our hotel until 3PM, we had several hours to begin our exploration of the capital city of Spain.  Our local guide Kike Mantecon gave us a great overview of the city.  He dropped the group off at a local park for us to explore the beauty of Madrid. He then dropped us off at another point to eat lunch and explore by foot for several hours.

At 3PM we checked in to the local hotel, the Florida Norte Hotel.  Most immediately saw that this was a typical standard European hotel - with bidet and all!  Many were surprised to find that Europeans typically do not place washcloths in hotels. The beds were not stellar but we were hoping that we would be so tired as to care.  The major event of this first day was to attend a Spanish bull-fight! At 5:30 PM we left for the bull-fight arena.

Many were ambivalent about attending this iconic Spanish event.  Of course the major issue is that of animal cruelty! Given that most knew so very little about the Spanish bullfight, we believed that it would be instructive to actually see and understand Spanish culture first-hand, and have an informed position about this spectacle event. All but three attended the bullfight.  What did we learn?

We learned that thousands of Spaniards attend even on a week-night!  We believed that bullfights were an almost common everyday events, but that was not true.  Bull fights only occur a few months out of the year and then only a few times a month.  We were fortunate in a way to see a bullfight while we were in Madrid!

At best, the bullfight was a showing of courage, given that the bull could fatally gore the matador.  The Spanish crowd cheered as though it were a “fair" sporting event.  The entrance of the matadors and bulls were almost choreographed initially.  At times, we found ourselves connected to the matador as he managed to manipulate the bull.

At worst, given that this exercise was done purely for sport, our hearts were saddened as the assistants would spear the bull to slow him down, to somewhat even the odds & ultimately tip the scales in favor of the human being. Four out of the five bulls that we witnessed in this spectacle were killed in front of the crowd!  We were saddened seeing an animal killed like this purely for sport in front of our very eyes!

Afterwards, we learned that the bull is fed like a “king” for several months up to this fight.  After he is killed, his remains are sent to top restaurants because the bull is only range-fed for this entire life - which is more desirable for meat-eaters.  The other reality is most of the meat eaten around the world - animals are killed in slaughtered houses, living in conditions that are abominable.  At the end of the day - we were appalled because we were witness to what is done millions times over daily because we are at the top of the food chain!  Having said that, having experienced Spanish culture first-hand, I do not believe that any of us will ever attend a bullfight again!  See YouTube link below to the rated “G” portions of the bull fight - intriguing to say the least.


After the bullfight we had a Welcome group meal beginning at 9PM.  The meal was appropriately not too heavy at the end of the long day.  We ate typical Spanish food, which was quite tasty in my opinion. We all ran to our rooms for bed. What a full first day in Madrid Spain. See several photos of this first day attached.

EC

New York Times: Barbara Smith Conrad, Singer at Center of Integration Dispute, Dies at 79

New York Times: Barbara Smith Conrad at her home in Manhattan in 2011. (Credit Robert Caplin for The New York Times)

Ms. Conrad as Amneris in the Cincinnati Opera’s production of “Aida” in 1976.  (Credit via University of Texas at Austin)

The New York Times

May 24, 2017

William Grimes

In spring 1957, two weeks before the opening of Henry Purcell’s opera “Dido and Aeneas” at the University of Texas at Austin, Barbara Smith, a 19-year-old mezzo-soprano, received some bad news. She would not be appearing as Dido, a role she had been rehearsing for months.
Ms. Smith was black. The singer cast as Aeneas was white. In the South, then emerging only slowly from strict segregation, this was a problem, even though the two principal characters do not kiss, embrace or even touch.
Joe Chapman, a Democrat in the State Legislature from Ms. Smith’s own district in the pine country of Northeast Texas, had taken the matter up with Logan Wilson, the university’s president. During their conversation, Mr. Chapman had told him that the opera’s casting might be bad publicity for the school, especially since the Legislature was preparing to vote on an appropriations bill.
Three days before the opera was scheduled to open, The Houston Post broke the story, under the headline “Negro Girl Out of UT Opera Cast.” The Daily Texan, the student newspaper, followed with an article the next day. Its reporter asked Mr. Chapman, a former Texas railroad commissioner, if he believed that the Legislature had the right to dictate policy to the university.
“There’s no question about it,” Mr. Chapman said.
In a statement, the university said that it had made the casting change “to ensure Miss Smith’s well-being and to squelch any possibility that her appearance would precipitate a cut in the university’s appropriations.”

More than 100 students rose in protest. Eight state legislators expressed indignation. A petition circulated, gathering 1,500 signatures. Mr. Chapman was hanged in effigy from a balcony in the State Capitol.

Ms. Smith tried to smooth matters over. “After the first shock and hurt had passed,” she told The Daily Texan, “I began to realize that the ultimate success of integration at the university is much more important than my appearance in the opera.”
As wire services and Time magazine picked up the story, national figures spoke out, including Sidney Poitier and Eleanor Roosevelt. The singer Harry Belafonte stepped forward, offering to pay for Ms. Smith’s musical education at any school in the world.

She chose to remain at Texas and, after earning her music degree in 1959, went on to a successful operatic career under the name Barbara Smith Conrad, appearing at major opera houses around the world, including the Metropolitan Opera in New York, and performing in concert with leading symphony orchestras.
“My heart wanted to go to Fisk,” Ms. Conrad told The New York Times in 2011, referring to the historically black university in Nashville. “But you didn’t run away if your staying could make a difference — it could encourage other black kids. Mostly, it was a matter of pride.”
Ms. Conrad died on Monday in Edison, N.J. She was 79. The cause has not yet been determined, said Bettye Neal, a cousin. Ms. Conrad had advanced Alzheimer’s disease.
Barbara Louise Smith was born on Aug. 11, 1937, in Atlanta, Tex., south of Texarkana. Growing up, she divided her time between Queen City, where she attended school, and the family house in Center Point, an all-black town near Pittsburg, Tex., that had been founded by freed slaves, among them her forebears. It no longer exists.
Both her parents were college-educated teachers. Her mother was the former Jerrie Lee Cash. Her father, Conrad, served in the Army during World War II and the Korean War. When Barbara began her singing career and applied for an Actors Equity card, she took his name to avoid confusion with another Equity member with the same first, middle and last name.


 

Lawyers’ Committee for Civil Rights Under Law honors Congressman John Lewis at the 2017 A. Leon Higginbotham Corporate Leadership Award Dinner June 1, 2017


U.S. Rep. John Lewis
(Twitter.com)

 
NEXT WEEK: Leading Civil Rights Organization To Honor Congressman John Lewis

Law Firms From Around The Country To Gather In New York To Recommit To Fight For Civil Rights At 2017 A. Leon Higginbotham Corporate Leadership Award Dinner

Next week, on Thursday, June 1, top leaders in the legal and corporate community will gather in New York to show their support in the fight for civil rights when the Lawyers’ Committee for Civil Rights Under Law honors Congressman John Lewis at the 2017 A. Leon Higginbotham Corporate Leadership Award Dinner.  The Lawyers’ Committee, one of the country's leading civil rights organizations, will also honor Craig Menear, Chairman, CEO and President of The Home Depot, for his dedication to diversity and equal opportunity.

This year’s Higginbotham Gala comes at a moment when the voting rights and civil rights of millions of Americans are under attack.  The Lawyers’ Committee for Civil Rights Under Law mobilizes one of the largest network of attorneys across the country who provide critical pro bono support in the fight to protect the civil rights of all Americans.  Last year alone, more than 200 law firms volunteered over 61,000 pro bono hours for a total of nearly $39 million in dedicated time to support the organization's work across the country.  The results of this tremendous effort include a recent victory in Texas in the Lawyers’ Committee’s long-standing challenge to the state’s discriminatory voter ID law, and am injunction to extend the voter registration deadline in Georgia’s special runoff Congressional election.

Award-winning actor, bestselling author, and national Lawyers’ Committee spokesman Hill Harper and acclaimed actor Laz Alsono will serve as emcee of this year’s Higginbotham Gala.

FOR PLANNING PURPOSES ONLY:

WHAT:          Lawyers’ Committee for Civil Rights Under Law’s A. Leon Higginbotham
Corporate Leadership Awards Dinner honoring Congressman John Lewis

WHEN:          Thursday, June 1, 2017
VIP reception and photos at 6:00PM 
Congressman John Lewis’s keynote speech expected around 8:30PM

WHERE:       Cipriani Wall Street, New York, N.Y. 10005

RSVP:          Media interested in covering the dinner should RSVP to Derrick Robinson at drobinson@lawyerscommittee.org.
###

Givonna Joseph: OperaCréole founder on NPR this Sunday at 9:41 AM, on NPR's Weekend Sunday Edition with Lulu Garcia-Navarro, 89.9 FM in New Orleans

Torres and Flamenca
 Here are some photos of Act I taken by an audience member:




Givonna Joseph writes:

Back row, left to right: Terrance Brown, Tyrone Hayes, Christian Patterson, Evan Hammond. Second row: Barry Robinson, Aria Mason, Givonna Joseph, Ebonee Davis. Front Row: Candace Bolden, Kenya Lawrence and son Wallace (Trey), Tyrone Chambers.
The journey of La Flamenca continues this Sunday! I will be interviewed on National Public Radio (NPR) at 9:41 am this Sunday morning, on NPR's Weekend Sunday Edition with Lulu Garcia-Navarro. The New Orleans radio channel is 89.9FM. 
Thank you all SO VERY MUCH!!
Givonna Joseph,
Founder and Director                                                                       
Opera Créole

Wednesday, May 24, 2017

John Malveaux: One of my most memorable concerts was Yvette Devereaux conducting the Los Angeles Philharmonic in a 1995 spiritual concert

Yvette Devereux conducting

John Malveaux of 
writes:

I was blessed to see and understand the significance of Calvin Simmons conducting the Los Angeles Philharmonic in the Dorothy Chandler Pavilion and the Hollywood Bowl. More recently, I attended community concerts of Southeast Symphony and Bellflower Symphony featuring guest conduct Renee Baker from Chicago. Even more recently i saw  Zanaida Robles conduct the Street Symphony and Chorus but i have not seen Yvette Devereaux conducting a Los Angeles orchestra.


One of my most memorable concerts was Yvette Devereaux conducting the Los Angeles Philharmonic at the Dorothy Chandler Pavilion in a 1995 spiritual concert. As I approached the Pavilion, I looked West and saw multiple buses unloading African Americans. A description of what i saw after entering the hall may be humorously described by a comment from comedian Red Foxx upon entering traffic court. "Damn, there are enough 'Negroes' in here to make a Tarzan movie." Please see Los Angeles Times review http://articles.latimes.com/1995-03-27/entertainment/ca-47640_1_gospel-music.

In addition to conducting symphony and opera programs, Ms. Devereaux is a terrific violin soloist in the jazz and classical genres. See http://yvettedevereaux.com/

Lara Downes: Happy Spring! SIMPLE GIFTS with Yo-yo and Lenny

May 22, 2017

Lara Downes writes:

Dear Friends,
 

Exactly one month ago today - on my birthday! - I spent a beautiful morning in Ann Arbor making this beautiful video with two artists who inspire me to the ends of the earth: Yo-Yo Ma and Aaron Dworkin. 
Yo-Yo, Aaron and I are advocating for the arts as a unifying force in our world, celebrating the power and purpose of the arts in our American life.
Now more than ever, I'm so grateful that my work as an artist allows me the opportunity to support community, start conversations, create understanding and unity. I see the very real and essential transformative power of music every day in my travels around America, and it keeps me going and growing!

My newest project takes inspiration from one of the greatest arts advocates in the history of American music. FOR LENNY is a tribute to Leonard Bernstein on the 100th anniversary of his birth. I'm performing and recording Bernstein's music together with new pieces I've commissioned to celebrate his centennial - from composers like John Corigliano, Stephen Sondheim, and many more.
And I'm raising funds for a community outreach tour to bring this music, and its message of unity through the arts, to underserved audiences throughout America. Please join me and support this project on Kickstarter. I'll be very grateful for your help. 
 
 
 https://www.kickstarter.com/projects/inthegreenroom/anniversaries-for-lenny-new-music-for-bernstein-at?ref=creator_nav

Lenny said it best!
"Art cannot change events. But it can change people. It can affect people so that they are changed…" - Leonard Bernstein

This....I believe.  




Thank you for being my friends! Thank you for believing in music and the arts, and fighting the good fight.
I hope to see you very soon out on the road!
Sending love!
Lara
PS: Here are some of my recent adventures, from my podcast diary. 





Art of Élan Collaborates with Malashock Dance

 
Highlights from our Free Community Concert
Earlier this month, Art of Élan and the San Diego Museum of Art featured NOW Ensemble in a free community concert titled Agents of Change with pre-concert music by the Mira Mesa High School Orchestra students. 




 

Sergio Mims: Carnegie Hall Invites NYC-Area Students to Experience Link Up's "The Orchestra Swings" in Concerts With The Orchestra of St. Luke's May 25


Sergio A. Mims sends this link:

May 23, 2017

Rossen Milanov Conducts the Orchestra Alongside
Chris Washburne and the Rags and Roots Jazz Ensemble



 
Now in its 32nd season, Link Up is the longest-running school program of Carnegie Hall’s Weill Music Institute (WMI). Designed for students in grades 3–5, the program facilitates deeper connections between the concert hall and the classroom through an instrument-focused curriculum that culminates in an annual participatory concert. This month marks the inaugural concerts of The Orchestra Swings—the first new Link Up curriculum since 2012—designed to introduce the idea of “swing” through a conversation between the symphony orchestra and a jazz septet. The nearly 15,000 New York City-area students and teachers who have adopted this program during the 2016–2017 school year will travel to Carnegie Hall for engaging, interactive concerts in Stern Auditorium / Perelman Stage this week, during which the students will play instruments from their seats. The program includes music by Ellington, Gershwin, and Bernstein.

The Orchestra Swings at Carnegie Hall features Orchestra of St. Luke’s conducted by Rossen Milanov, and co-hosted by teaching artist and composer Thomas Cabaniss and jazz musician Chris Washburne, who also leads the Rags and Roots jazz septet. One of the highlights of the performances will be the premiere of composer Courtney Bryan’s new work, “Do Your Thing,” commissioned especially for The Orchestra Swings as part of Carnegie Hall’s 125 Commissions Project.

Photographers, Reporters, and TV Crews Are Invited to Cover the Following:
 
WHO: Thousands of New York City-area elementary school children participate in LINK UP’S THE ORCHESTRA SWINGS interactive concerts
Thomas Cabaniss, host
Rossen Milanov, conductor
Orchestra of St. Luke’s
Chris Washburne and the Rags and Roots jazz ensemble
WHAT: Debut performances of The Orchestra Swings at Carnegie Hall’s Stern Auditorium / Perelman Stage
WHEN: Thursday, May 25 at 10:15 a.m. and 11:45 a.m.
WHERE: Carnegie Hall stage door at 161 West 56th Street.
PLEASE NOTE :
For TV & Radio Crews: 30 minutes of total taping time allowed; 3 minutes on-air use, cameras must be self-contained. No sound feed available.

For Photographers: No flash photography allowed during the performance.
CONTACT:
Please obtain press credentials in advance by contacting Leah Rankin (lrankin@carnegiehall.org; office: 212-903-0746)

Image at top of release © Chris Lee