Monday, June 3, 2019

NAACP to Host 110th National Convention in Detroit July 20-24, 2019





NAACP to highlight 110 years of civil rights history, and the current fight for voting rights, criminal justice reform, economic opportunity, education equality & more


BALTIMORE -- Thousands are expected to gather in Detroit to commemorate the NAACP’s 110th National Convention from July 20-24, 2019. With the theme, "When We Fight, We Win,” the convention will bring together elected officials, members, organizers, faith-leaders, entertainers, and young leaders for workshops and discussions to promote solutions to problems like police brutality, racism, #LivingWhileBlack, voter suppression, partisan gerrymandering and sexual violence and mental health in the Black community.

“Much has changed since the creation of the NAACP 110 years ago, and as we highlight these achievements during this year’s convention, we cannot forget that we're still tirelessly fighting against the hatred and bigotry that face communities of color in this country,” said Derrick Johnson, NAACP President and CEO. “With new threats emerging daily and attacks on our democracy, the NAACP must be more steadfast and immovable than ever before to help create a social political atmosphere that works for all.”

Among the key events, the Presidential Candidates Forum, CEO Roundtable, LGBTQ, Legal and legislative workshops will bring together some of the brightest minds in the Black community and help hone strategies for moving forward in the face of growing racism and an all-out assault on civil rights in this country.

Other highlights include the awarding of the prestigious Spingarn Medal, the NAACP ACT-SO (Academic, Cultural, Technical and Scientific Olympics) final competition and awards ceremony, and a career fair.


More information about the 2019 NAACP National Convention, including a schedule of events and registration details can be found here

John Malveaux: Annelle K. Gregory Wins $10,000 Prize at Musical Merit Foundation Event

Annelle Kazumi Gregory

John Malveaux of 
writes:

Congratulations Violinist Annelle Kazumi Gregory $10,000 winner at June 2, 2019 finals competition of the Musical Merit Foundation of Greater San Diego streamed live.

Violinist Annelle Gregory reported "So happy to have won $10,000 and 1st Prize in Strings yesterday at the Musical Merit Foundation competition! I am always astonished at their generosity. I also tied the all-time record for most years (8) as a winner :)
Here's a little 𝓢𝓬𝓱𝓮𝓱𝓮𝓻𝓪𝔃𝓪𝓭𝓮 from the awards concert with Bryan Verhoye on piano.
https://www.youtube.com/watch?v=vcM6WpI46KA  

AaronAsk: Weekly mentoring for a creative life: Don't Make Sense!


Aaron P. Dworkin writes:

Greetings and welcome to this week's episode of AaronAsk, your weekly mentoring session to live a fulfilling creative life!  This week's episode is titled, Don't Make Sense!  Enjoy, we wish you a creative day and see you for next week's session!

Comment by email:
Thanks so much Bill and hope all is well and that you enjoy this beautiful day! Aaron [Aaron P. Dworkin]

Sunday, June 2, 2019

Stanley Nelson's New Film "Creating The New World" will premiere on PBS in 2021


STANLEY NELSON AND FIRELIGHT FILMS TO EXPLORE HISTORY OF
TRANSATLANTIC SLAVE TRADE

Four-Part Documentary to Examine Largest Forced Migration in History,
Including Impact on Modern World

CREATING THE NEW WORLD: THE TRANSATLANTIC SLAVE TRADE to Air on PBS as Part of Independent Lens in 2021

(New York, NY) – May 31, 2019 – The acclaimed filmmaker Stanley Nelson and his production company Firelight Films announced today that CREATING THE NEW WORLD: THE TRANSATLANTIC SLAVE TRADE will air on PBS in 2021. The four-part documentary will be the final installment in Firelight’s three-part series for Independent Lens, called America Revisited, which began with THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION (2016) the first comprehensive historical documentary on the iconic organization, and TELL THEM WE ARE RISING: THE STORY OF BLACK COLLEGES AND UNIVERSITIES (2018) which chronicled the 150 year history and impact of HBCUs. Both films garnered the highest African-American viewership for any Independent Lens broadcast.

This announcement, which Nelson made at the PBS Annual Meeting in Nashville, comes just as the country begins to mark the 400th anniversary of the arrival of enslaved Africans to colonial Virginia in August 1619. The date commemorates the deep impact the transatlantic slave trade would have upon the founding of the United States. 

“The transatlantic slave trade was a crime against humanity that took place across centuries and reached every corner of the globe.  It’s impossible to understand the modern world without a grasp of the transatlantic slave trade,” director Stanley Nelson said. “The business of buying and selling human beings shaped economic, social and political institutions; established racial and geographic hierarchies; and entrenched wealth disparities.  In the United States, current debates about Confederate monuments, reparations for descendants of enslaved people, and systemic racial inequality can be traced to enduring fault lines around the legacy of slavery.  In order to grapple with this painful legacy, we must first understand it.”

In four one-hour programs, each covering a defined historical period and featuring a specific voyage as its narrative spine, the series explores the demographic, economic and moral transformations wrought by the slave trade, African participation and resistance to the trade, the business of the trade and the experience of enslaved people at the heart of the trade. Leveraging the latest scholarship, forensic science and recently unearthed archival material found across four continents, the series will challenge widespread popular misconceptions about the slave trade.

CREATING THE NEW WORLD will serve as centerpiece of an ambitious audience engagement and educational campaign beginning in 2019 and continuing through the broadcast in 2021 on the public television series, Independent Lens. The campaign aims to catalyze a new conversation about race; the enduring legacy of centuries of forced migration, enslavement and subjugation; and the wealth that was created -- and denied to African-Americans -- as a result of the trade.

The engagement campaign will create ongoing opportunities for education, reflection and engagement through public programming, in high school classrooms, and online through a robust interactive website. The campaign will feature partnerships with national and international organizations, events in ten U.S. cities in collaboration with PBS stations and cultural and educational institutions, standards-based curriculum for high school social studies, and resources for teachers and facilitators leading conversations in local communities.

Stanley Nelson is among the premier documentary filmmakers working today. Nelson, a MacArthur “Genius” Fellow, was awarded an individual Peabody Award for his body of work in 2016. He has received numerous honors over the course of his career, including the 2016 Lifetime Achievement Award from the National Academy of Television Arts Sciences. In 2014, Nelson received the National Medal in the Humanities from President Barack Obama.

His latest film MILES DAVIS: BIRTH OF THE COOL, the definitive look at the life and career of the iconic jazz artist, debuted at the Sundance Film Festival in 2019 marking Nelson’s tenth feature to premiere at the prestigious festival spanning twenty years -- a record for a documentary filmmaker.

Directed by Stanley Nelson and produced by Nazenet Habtezghi and Hazel Gurland-Pooler, CREATING THE NEW WORLD: THE TRANSATLANTIC SLAVE TRADE is a PBS Distribution release of a Firelight Films and ITVS production in association with the Corporation for Public Broadcasting.

Major funding for CREATING THE NEW WORLD: THE TRANSATLANTIC SLAVE TRADE is provided by Corporation for Public Broadcasting, PBS, National Endowment for the Humanities, Ford Foundation, Open Society Foundations, and the Independent Television Service. Principal funding for companion education and engagement activities from the Andrew W. Mellon Foundations and the Wyncote Foundation. Firelight Media is also grateful to Brown University’s Center for the Study of Slavery and Justice as its resources have been critical in properly researching this project.

ABOUT FIRELIGHT
Firelight Media was born in 2000 to address the deficit of films made by and about diverse communities, particularly people of color. Founded and led by MacArthur “genius” Fellow Stanley Nelson and award-winning writer and philanthropy executive Marcia Smith in Harlem, NY, the organization has gone on to produce over 25 hours of primetime programming for public television, receive every major broadcast award, and have its first theatrical release (The Black Panthers: Vanguard of the Revolution).

Through its Documentary Lab and Impact Producer Fellowship, Firelight is dedicated to developing talented documentary filmmakers that advance underrepresented stories, moving them from the margins to the forefront of mainstream media through high quality, powerful productions, and creating opportunities for diverse audiences to be inspired, educated, and engaged.

ABOUT INDEPENDENT LENS

Independent Lens is an Emmy® Award-winning weekly series airing on PBS Monday nights at 10:00 PM. The acclaimed series, with Lois Vossen as executive producer, features documentaries united by the creative freedom, artistic achievement, and unflinching visions of independent filmmakers. Presented by ITVS, the series is funded by the Corporation for Public Broadcasting, a private corporation funded by the American people, with additional funding from PBS, the John D. and Catherine T. MacArthur Foundation, Wyncote Foundation, and the National Endowment for the Arts. For more visit pbs.org/independentlens

Cedille Records: Review of Chicago Sinfonietta & Mei-Ann Chen "Project W"

Project W: Works by Diverse Women Composers
Florence B. Price
Jessie Montgomery
Chicago Sinfonietta
Mei-Ann Chen
Cedille Records

Cedille Records

"There’s more than enough rhythmic energy to go around ... the Price, Esmail, and Higdon scores are craftily phrased, while the Assad and Montgomery works gambol amiably. In all, then, this is a timely and inviting winner of an album."
 


John Malveaux: Violinist Annelle Kazumi Gregory in a mini performance in San Diego!

Annelle Kazumi Gregory

John Malveaux of 
writes:

Please see/hear violinist Annelle Kazumi Gregory in a mini performance in San Diego!

𝙎𝙪𝙣𝙙𝙖𝙮, 𝙅𝙪𝙣𝙚 2

𝟑:𝟎𝟎

𝙁𝙞𝙧𝙨𝙩 𝙐𝙣𝙞𝙩𝙚𝙙 𝙈𝙚𝙩𝙝𝙤𝙙𝙞𝙨𝙩 𝘾𝙝𝙪𝙧𝙘𝙝 𝙤𝙛 𝙎𝙖𝙣 𝘿𝙞𝙚𝙜𝙤

Finals of the Musical Merit Foundation Awards performing an arrangement of Rimsky-Korsakov's 𝑺𝒄𝒉𝒆𝒉𝒆𝒓𝒂𝒛𝒂𝒅𝒆. Livestream on the Musical Merit channel: 

Saturday, June 1, 2019

Yusef Salaam, Innocence Project: Our side of the story

In this August 11, 1990 file photo, Yusef Salaam enters New York State Supreme Court in Manhattan with his mother Sharonne Salaam on the third day of deliberations in the Central Park jogger trial. (AP Photo/Phillip Schoultz)


Yusef Salaam writes:

Since the day Antron McCray, Kevin Richardson, Raymond Santana, Korey Wise, and I were wrongfully arrested for a near-fatal rape of a woman jogging in Central Park, the police and the media rushed to dehumanize us, like so many others, based on our age and race.

We never had a chance to shape our side of the story, but that changes today. Through the eyes of award-winning director Ava DuVernay in the Netflix series When They See Us, we finally see a humanizing portrayal of what happened to us for a new generation to watch and learn from.                      

We were just 14, 15, and 16 years old when police forced us into an interrogation room with the purpose of beating a confession out of us. 

We fought to take back our story for 30 years. Working closely with the Innocence Project and its Speakers Bureau over the years, we've had the chance to use our voices to tell the truth about our case with people across the country. And now through this exceptional opportunity with Ava, our story can be shared with audiences across the globe.

In the series, we see the strength of our families as they fought for us against a system that shut them down. 

We see the innocence that New York denied us, and continues to deny so many young people of color today.

***

As an Innocence Project board member and as one of the exonerated men they called the Central Park Five, I could not be more proud to invite you to watch When They See Us. The four-part series is now available on Netflix and you can learn more about our case through this special feature story.

 Dr. Yusef Salaam 
Exonerated 2002
Innocence Project Board Member 
           InnocenceProject.org            

Eric Conway: Morgan Choir back in US after successful United Kingdom Tour!








Dr. Eric Conway writes:

On Thursday, May 30, 2019, the Morgan State University choir departed from the United Kingdom for the United States at 5:15 AM from our hotel. Again, we flew Aer Lingus, an Irish airline through Dublin, Ireland to Dulles airport in Washington, DC. We would conclude our eleven day tour of the United Kingdom where we toured three of the four countries in the United Kingdom (UK) - Scotland, Wales, and England, saving Northern Ireland for another excursion. We were scheduled to arrive in Dulles by 3:35 PM after a seven hour flight back to DC, however, due to extreme weather conditions at Dulles airport, our flight was diverted to Richmond, VA until the weather conditions improved. We did not finally arrive Dulles until 6PM, to not arrive back to campus until after 9PM. 

Politically, this was an interesting time for our Morgan choir to visit the UK, in that Theresa May, the Prime Minister resigned while we were in their country. Although, her resignation was not exactly unexpected, after the country voted for a referendum to break away from the European Union, however, May was not able to make that happen, with virtually all the other countries opposing the decision. May stepped aside to allow someone else to broker the severance, although, I do not believe anyone will be successful. I believe as do many Brits that it is in the best interests of the UK to stay in the European Union for Britain's and the world’s sake!

At the same time, our US President, Donald Trump, was going to visit the UK, with his entire family in the coming days. After several conversations with many local citizens, they believe that there will be many protests and much police presence in place for the visit, which will cost the country a fortune to implement. It is interesting how world-wide, like the United States, many foreign countries' conservative and nationalist groups feel empowered to let their views be known, unlike any other time in recent history.

Having not been in the UK since 1985 when I backpacked across Europe while in college, many things had changed since I was there last. As one looked around London, construction and scaffolding was everywhere - a sign of progress and prosperity. Many new buildings are being built. Our American Embassy in London, just eighteen months old, that cost a billion dollars to construct, is the first in a section that will house many countries' embassies, much like our Embassy row in Washington. We were looking forward to seeing the iconic Big Ben clock tower, however, unfortunately, there was scaffolding around the clock tower, only revealing the hands of the clock for tourists to see. In 1985, the currency exchange rate was not very good for the US dollar against the pound. Due in part to the recent British referendum, the pound was not as strong against the dollar, which was good for all American tourists traveling to the UK. We were able to acquire at least twenty-five percent greater exchange rate than in 1985, as I recall. Additionally, many tourists who have visited Great Britain have stated that the food was rather ordinary, especially when compared to France or Italy. The Morgan group enjoyed virtually every meal served to us. Our guide said that she too, being a Londoner, has noticed improvement in British cuisine over the years.

The concerts were enthusiastically received. I have personally received several emails thanking the choir for bringing our choir to the UK (see below). The rector at Gresham Centre, the site of our last concert, told me "their six hundred year old church had never heard music quite so spirited and believed that the place will never be the same!” During this tour, none of the choir members became significantly ill during the tour. The shadow group of thirteen individuals supported the group in a fantastic way, enjoying every concert as though it was their first. 

Most importantly, the Morgan students, NO, Morgan ambassadors represented Morgan in a magnificent manner! All who heard the choir, will not forget the music (if for no other reason than capturing it on their smartphones). But also will not forget the choir because of the happiness that concertgoers felt while hearing our music. For many, this was an introduction into the notion of the HBCU in which is exclusively American where Europeans have no knowledge.

Much of the United Kingdom now knows a bit more about American music and specifically the music of the Morgan State University choir.

See everyone stateside!

Eric

Begin forwarded message:

From: alessandra russell <alessandrarussell@googlemail.com>
Subject: Thank you & praises 🙌🏻
Date: May 28, 2019 at 11:39:57 PM GMT+1

Dear Eric and Choir,

Your performance tonight in London was so exceptional, I felt very lucky to be there and wanted to say thank you so much for giving us all of your energy, spirit and joy today. And for singing a beautiful mix of music - every song moved me and will stick in my memory for sure. Have a safe trip home and please come and visit us again soon :) 

Ali

Dale Breidenthal Plays Violin Concerto in G by St. Georges June 9th 4PM!


Prof. Janise White writes:

Dear Friends,

You are cordially invited to attend the St. Georges (Black Mozart) Music Festival Sunday, June 9th from  4 to 6pm  featuring the Afro-American Chamber Music Society Orchestra with special guests: LA Philharmonic Violinist, Dale Breidenthal; Manoela Wunder, violinist; Ernie Carbajal, cellist;  Richard Taylor, Baritone; Gertrude Bradley, Dramatic Soprano; David Crawford, Flutist; Rahda Botofasina, Harp and Janise White, Harpsichordist & Conductor performing concertos, quartets, opera, symphonies and sonatas played on a French Harpsichord! (Professor Janise White, aacmsorchestra@gmail.com) For tickets contact aacmso.brownpapertickets.com.

John Malveaux: Zenmarah Duruisseau in Swan Lake at St. Elmo Village

Zenmarah Duruisseau
(Erwin Washington)

John Malveaux of 
writes:

Saturday May 25, 2019-attended 50th Anniversary Celebration of ST. ELMO VILLAGE  - a place of creativity, where artists live, teach, and work  The entertainment line-up included the respected Lula Washington Dance Theatre. In addition to company performances, soloist Zenmarah Duruisseau beautifully danced Swan Lake. Despite an uneven stage floor, Zenmarah was on point. Zenmarah has danced with Lula Washington since age 4. She will compete in upcoming NAACP national ACT-SO competition in Detroit representing the Riverside NAACP.  Zenmarah is a winner. See photo by Erwin Washington.