Saturday, July 6, 2013

MusicUNTOLD receives program notes for world premiere performance of "Candlelight for Soprano" of South Korean Composer Dr. Joo Poong Kim

Dr. Joo Poong Kim

John Malveaux of www.MusicUNTOLD.com writes:

MusicUNTOLD received program notes for world premiere performance of "Candlelight for Soprano" by South Korean educator/composer Dr. Joo Poong Kim during 50th Anniversary Martin Luther King, Jr 'SYMPHONY of BROTHERHOOD' Concert on Sunday, August 18, 2013, Zipper Hall-Colburn Hall, downtown Los Angeles.

See attachment

Thanks
John Malveaux
www.musicuntold.com

Program Note: "Candlelight for Soprano" 

This piece was composed to commemorate and honor the late Dr. Martin Luther King, Jr., whose vision and leadership helped our society to advance towards greater civil equality for all. This piece attempts to capture the fragility of a candle’s flame, vulnerable to being extinguished by the slightest of winds. Yet with consistent care and protection, even this fragile flame can light the way in the darkest of times. Dr. King was that care and protection, kindling the fragile flame of the Civil Rights Movement in the 1960’s. That flame grew stronger and brighter, and ultimately lit the way towards greater equality for the entire nation. This piece is, therefore, titled “Candlelight” to express Dr. King’s legacy. The melody attempts to express the equality of all men and women through its harmonious sounds, while the vertical harmony of the accompaniment is structured as a dissonant chord, composed using the homophonic texture. We may have heard the phrase “The night is darkest before the dawn.” The interaction between the harmonious melody and inharmonic accompaniment represents the struggle and darkness that faced Dr. King and his followers during the Civil Rights Movement. Yet the piece concludes by reaching an overall harmony. This ultimate harmony represents not only the achievements of Dr. King’s vision, but also this composer’s hope that the advances in civil rights we enjoy today continue to strive so that Dr. King’s vision of equality for African-Americans extends to equality for all minority groups.

Violist Nokuthula Ngwenyama Performs at Livestreamed Foulger Virtuosi Concerts at Enlow Hall in Hillside, New Jersey, Fridays July 12 & 19, 2013 at 7 PM Eastern

The renowned violist Nokuthula Ngwenyama, www.ngwenyama.com, was born June 16, 1976.  She is President of the American Viola Society and has long been featured at AfriClassical.com.  A new recording with pianist Eckart Sellheim is in the works.  

Nokuthula Ngwenyama is teaching this Summer at the Foulger International Music Festival, FoulgerMusic.org, whose Founder and Artistic Director is Allison Eldredge. She will perform in two Foulger Virtuosi Concerts, Friday, July 12 and Friday, July 19.  Both concerts are at 7 PM Eastern Time and both will be Livestreamed at links provided below:


Foulger Virtuosi Concerts 
Enlow Hall, Hillside, New Jersey

Friday, July 12, 7pm: “The Universal Language of Music”
Old favorites and less-familiar masterworks are heard on this program of music from many different nations. The program includes Schubert's perennial favorite, the “Trout” Quintet, as well as music from Poland (Penderecki's String Trio), Argentina (Piazzolla Tangos for 4 Cellos), and Norway (Handel/Halvorsen Passacaglia for Violin and Viola). 



Watch the Livestream (link only works at time of concert)



Friday, July 19, 7pm: “Small Symphonies”
While chamber music is at times intimate and personal, this program shows the power that even a small number of musicians can create. On the program: Bach's Brandenburg Concerto #3; Shostakovich's Two Pieces for Octet; the only Piano Quartet by the great symphonist Gustav Mahler; and Prokofiev's arrangement for solo piano of music from the ballet “Romeo and Juliet.”
Buy Tickets for this concert


Watch the Livestream (link only works at time of concert)

'The Journal of African American History' Special Issue: 'Women, Slavery, and the Atlantic World' Available from ASALH


The Journal of African American History
Volume 98, Issue No. 1

 JAAH Special Issue, Winter 2013
 "Women, Slavery, and the Atlantic World" 

The most recent issue of The Journal of African American History (JAAH) is a Special Issue devoted to "Women, Slavery, and the Atlantic World." Edited by Brenda Stevenson, Professor of History at UCLA, the Special Issue presents new and original analyses and interpretations of the often tragic experiences of enslaved African and African American women in various parts of the Atlantic World from late 17th to the mid-19th centuries. Jane Landers, Gertrude Conaway Vanderbilt Professor of History at Vanderbilt University, documents the lives and leadership roles of "La Virreina Juana" in Cartagena, New Granada (now Colombia) in the 1690s and Nansi Wiggins in Spanish Florida before the U.S. takeover in 1821. Both women were "founding mothers" who left legacies of discipline, militancy, and resistance for the free black communities they helped to create.

Jessica Millward, Assistant Professor of History, UC Irvine, traces the legacies of Charity Folks who gained her freedom in 1797 only after she had worked to obtain the manumission of her children. While Millward's "Charity Folks, Lost Royalty, and the Bishop Family of Maryland and New York" offers of micro-history of women and slavery in Annapolis, Maryland, in the colonial and early national eras, the significant contributions of Charity Folks' descendants to African American and American life and history demonstrate that she was a "founding mother" of an African American royal family

Margaret Washington, Professor of History at Cornell University and author of the award winning Sojourner Truth's America (2009), reexamines in detail Truth's religious adventures and mishaps in New York City in the late 1820s when she was still "Isabella Van Wagenen." In this period Isabella lived in interracial communes with religious perfectionists who believed in sexual freedom and women's participation in social reform. When Isabella Van Wagenen was put on trial accused of poisoning one of the perfectionist ministers, the female members of her "Holy Band" publicly supported their sister who had been slandered and falsely charged.

Andrew Apter, Professor of History and Anthropology at UCLA, uncovers elements of Yoruba and Yoruba-descended ideas and practices of womanhood in West Africa, North and South America, and in the Caribbean. "Blood of Mothers: Women, Money, and Markets in Yoruba-Atlantic Perspective" explores African and African American women's social and economic activities that reflect this Yoruba-based cultural foundation.

While scholars of U. S. slavery have noted the existence of concubine relationships between wealthy white slaveholders and enslaved African American women, Brenda Stevenson provides the first detailed and systematic analysis of these practices. "What's Love Got to Do With It? Concubinage and Enslaved Black Women and Girls in the Antebellum South" offers a wide ranging examination of the experiences of enslaved concubines and documents how these women were viewed by non-slaveholding white men, white women, and enslaved and free African Americans.

Delia's Tears: Race, Science, and Photography in Nineteenth Century America (2010) by Molly Rogers tells the disturbing story behind the making of seven recently discovered daguerreotypes of people of African descent, originally produced in 1850 at the request of Swiss naturalist Louis Agassiz to support his convenient theory of "polygenesis." In the essay review "Racial Science and Early American Photography," historian Elaine Allen Lechtrech reviews Rogers's findings and brings us up to date on the efforts of Swiss social activists to have Agassiz's name removed from a prominent mountain range in Switzerland.

"Women, Slavery, and the Atlantic World" is available in hard copy from ASALH through Publications Director Karen May, at kmay@asalh.net, 202-238-5910 or follow the link to purchase. The digital version will soon be available through "JSTOR Current Journals," please check and make sure your university subscribes to the program.

For more information go to JAAH website: www.jaah.org. or contact V. P. Franklin, JAAH Editor, vpf1019@aol.com.

Friday, July 5, 2013

Nicole Mitchell is Mezzo-soprano in American Opera Project's 'The Blind' by Lera Auerbach, July 9-14 at 8 PM, Lincoln Center; Audience Will Be Blindfolded

The Blind: Approaching storm; 
painting by Carol Thompson


American Opera Project
Immerse yourself into the unexpected, shifting, multisensory sound space of The Blind, an a cappella opera created by Lera Auerbach and directed by John La Bouchardière (The Full Monteverdi). Here, an entirely new dimension of opera comes alive with an unexpected physical and aural journey in a powerful one-act experience that tells the story of twelve nameless characters stranded on a desert island waiting for a rescue that never arrives. Loosely based on an English adaptation of the controversial play Les aveugles by Nobel Prize winner Maurice Maeterlinck, The Blind redefines the boundaries between audience and performer, bringing theatergoers a heightened experience of opera and all of its possibilities.

Please note: As an intrinsic element of this production, the audience will be blindfolded for the duration of the performance.


THE BLIND
July 9-14 | 8:00 PM
Lincoln Center, Rose Building
New York, NY 10023

St. Louis Symphony IN UNISON® Chorus, led by Kevin McBeth, Director, has focus on 'music of African-American and African cultures'

Kevin McBeth, Director

St. Louis Symphony IN UNISON® Chorus
The League of American Orchestras held its 68th National Conference, June 18-20, 2013 in St. Louis, Missouri.   Members of the IN UNISON® Program of the St. Louis Symphony performed during the Conference.

About the IN UNISON® Chorus
The St. Louis Symphony IN UNISON® Chorus is a valued member of the STL Symphony family. The Chorus is an all-volunteer, 120-voice auditioned ensemble that performs a variety of musical styles, with a focus on the interpretation, performance, and preservation of the music of African-American and African cultures. Chorus members have traditionally come from the IN UNISON Program member churches, but also from area universities and colleges. Chorus members are teachers, nurses, office workers, students, doctors, and people from many other walks of life. Some members have retired from long careers, some are just entering the work force or working on degrees. Many sing in other vocal ensembles or church choirs. All share a love of music and of singing. 

The Chorus rehearses on Monday evenings from September to May.


Sislena Caparossa, 15-year-old Singer from Canary Islands, Sings 'Nessun Dorma' from Puccini's 'Turandot'

Sislena Caparossa, 15, sings Nessun Dorma

Charles and Wilma Monluis send a video of Sislena Caparossa, 15, singing the aria Nessun Dorma from the opera Turandot of Giacomo Puccini, in a dramatic performance which brought tears to the eyes of many members of the audience:


We asked for some information about the singer, and received this reply:

"Here is what I could find about Sislena: she is from Tenerife, Canary Islands, Spain, from the Arafo Municipality. It seems that her African heritage comes from her father, who is from the Dominican Republic. 

"Regarding her background things are very scanty since she came on the scene only last year. However they do mention that her mother sang in a chorus at one time, and that her father played the trumpet in the Juan Luis Guerra band (doesn't say which country)."

Thursday, July 4, 2013

Fish and Wildlife Service Awarded 1st Place in International Diversity Award Competition


 Service Receives International Innovations in Diversity Award
 Top honors for partnership work in Africa and Latin America

The U.S. Fish and Wildlife Service has received first place honors in the Profiles in Diversity Journal’s 10th Annual International Innovations in Diversity Awards competition for its creative work with communities in Africa and Latin America to conserve species and their ecosystems, while also supporting local economies. The awards recognize organizations and institutions that develop innovative solutions in the area of workforce diversity and inclusion. The winning organizations are highlighted in the July/August 2013 issue of the Diversity Journal.  

For example, the Service’s Great Apes Conservation Fund has helped build the capacity of governments and private organizations to address threats to great apes such as poaching and illegal trafficking. As part of the program, Virunga National Park in the Democratic Republic of Congo provides an ecotourism destination to view gorillas in their natural habitat. 

Another initiative, Managing for Excellence, has trained 500 conservation personnel in Mexico to manage critical protected areas. The university-certified program encourages trainees to replicate the training locally and maintain a network of trained personnel. Species benefiting from the program include jaguars, monarch butterflies, migratory birds and Mexican wolves.

In northern Colombia, 15 women from the Los Límites community came up with an innovative entrepreneurial project that generates income and protects the critically endangered cotton top tamarin monkey and its forest habitat. These women joined forces with Proyecto Tití, a local conservation group, to launch the eco-mochila project and the plush toy project. With the help of the Service’s Wildlife Without Borders program, the women transform discarded plastic bags into colorfully designed, hand-crocheted mochilas (tote-bags) and hand-made cotton-top tamarin plush toys for sale in national and international markets. 

For more information on the Service’s International activities, visit http://www.fws.gov/international/

ArtForum.com: Arthur R. LaBrew Receives $25,000 Kresge Foundation Award for 2013 for Creative Nonfiction

Prof. Arthur R. LaBrew

AfriClassical featured Prof. Arthur R. LaBrew most recently on January 17, 2013: Dominique-René de Lerma: 'A Patriarch of Musicology, Arthur Randolph LaBrew Turns 83'

Dr. De Lerma forwards this email received from Prof. Arthur R. LaBrew on June 26, 2013: 

"Dear Dom:
Grant has been posted! $25,000! Google Kresge Foundation Awards 2013 for pictures in The Detroit News, The Detroit Free Press and the Metro-Times.
LaBrew"

Among the publications announcing Arthur R. LaBrew's award is ArtForum.com: 

06.27.13

Kresge Arts, Detroit, has announced its 2013 Kresge Artist Fellows in the literary and visual arts. Each of the eighteen fellows, who were determined by two panels that included performance critic Claudia La Rocco and painter Eric Fischl, will receive an unrestricted grant of $25,000. Established in 2008, the program seeks to recognize individual artists living and working in the Detroit area.



Terry Blackhawk, poetry
Jon Brumit, interdisciplinary
Coco Bruner, drawing
Jason E. Carter, painting
Kate Daughdrill, interdisciplinary
Oren Goldenberg, video art
Marie T. Hermann, ceramics
Arthur R. LaBrew, creative nonfiction
Cary Loren, arts criticism/interdisciplinary
Adrienne Maree, fiction
Dunya Mikhail, poetry
Chace “Mic Write” Morris, spoken word
Charlie O’Geen, installation
Peregrine Workshop: Andrea + Gary Urbiel Goldner, interdisciplinary
Bryant Tillman, painting
Carl Wilson, printmaking
Carolyn Walker, creative nonfiction
Michael Zadoorian, fiction

Wednesday, July 3, 2013

Femi Lewis, About.com: 'human bondage transformed from indentured servitude to a life of enslavement.'

About.com African-American History
Femi Lewis, About.com Guide
The Beginning of Enslavement
May 31, 2013
Historian Frances Latimer argues that enslavement "happened one law at a time, one person at a time." Throughout the 17th Centuries, as the American colonies grew, human bondage transformed from indentured servitude to a life of enslavement.

From 1619 to 1696, laws were consistently created throughout the thirteen colonies that supported and protected the rights of land and slave owners.  

'A Midsummer Night's Concert' at a Los Angeles Home Features CAMÉLÉON CORDAS, 7 PM July 19 & 20, 4 PM July 21, 2013

John Malveaux of www.MusicUNTOLD.com sends us the above poster on behalf of Caméléon Cordas, an African American Chamber Ensemble.  The Second Annual Concert, A Midsummer Night's Concert, is presented by Grace United Methodist Church on July 19 and 20, 2013 at 7 pm, and on July 21, 2013 at 4 pm.  The location is the Home of Earl Wooten, 1654 5th Avenue, Los Angeles, CA 90019.

Tickets are $20.00 and may be purchased online at http://www.eventbrite.com/event/6729896301