Wednesday, June 26, 2013

Sphinx Organization: Starting Thursday, June 27, go to Power2Give to learn more about our project "Inspire a Child through Music"


(Photo: Amy Kuehl)

Funds Available to Sphinx at Midnight Tonight
Tomorrow marks the launch of Culture Source’s Power2Give website and Sphinx has a goal to raise $10,000 for our project, “Inspire a Child through Music.” 

Imagine watching young students pick up their very first musical instrument as a smile spreads across their face; in the Sphinx Overture program, this uplifting sight is seen each day and your gift will ensure this continues into 2014! 

Limited 1:1 matching funds provided by The Ford Foundation are available starting at midnight tonight, so please support Sphinx on June 27th by giving online at the following link: http://power2give.org/go/p/2082 
   

Flutronix: 'We wrapped up the school year by working with the 1st grade students at Teacher's College Community School in Harlem.'

Flutronix
“Nathalie Joachim and Allison Loggins-Hull are Flutronix, a critically acclaimed pair of fresh and eclectic flutists who are paving the way from their classical roots to the future of music."

Bring Flutronix to a School Near You!

We wrapped up the school year by working with the 1st grade students at Teacher's College Community School in Harlem.  Whether we're presenting our workshops on career development, instruments in pop music or a fun intro to music, it's always a joy to share our knowledge with students of all ages.  

Our calendar is filling up for the 2013-14 school year, so hurry and book Flutronix at your school today!

Harry Belafonte Among Recipients of Abyssinian Development Corporation Renaissance Awards June 19, 2013, Harlem Renaissance Day


Harry Belafonte
(Mark Sullivan/WireImage.com New York Times)

We wanted to share the following news from Abyssinian Development Corporation, one of the country’s most influential and accomplished community development non-profits. On Wednesday, June 19th, as part of the annual HARLEM RENAISSANCE DAY OF COMMITMENT—a   gathering of top business, cultural and community leaders making an impact in NYC and around the world—more than 600 distinguished leaders in the African American community gathered to focus on the need to protect and support every child’s right to a high-quality education.

The following were recognized by Rev. Dr. Calvin O. Butts, III and presented with prestigious Abyssinian Development Corporation Renaissance Awards—each award was a work of art created by children from the Thurgood Marshall Academy in Harlem, celebrating its 20th anniversary this year:

·         Howard Schultz—Founder, President and CEO of Starbucks
·         Harry Belafonte— American singer, songwriter, actor and social activist
·         The Honorable Michael R. Bloomberg—Mayor of the City of New York


Honorary Harlem Renaissance Day of Recognition Chair Kathryn C. Chenault, Esq. was also acknowledged for her ongoing support of ADC’s educational initiatives.

Tuesday, June 25, 2013

KIT Records Interview on 'Emahoy Sheet Music Project' Links to Audio of 'Mother's Love' (3:38); Mary Sutton Provides Link to Her Kickstarter Project


Today Mary Sutton responded to the post with links to sample audio from KIT Records on SoundCloud and her Kickstarter Project:

Hi Bill,

This looks great.  There are a couple more things you can link to if you like, a blogpost that  just got published http://kitrecords.com/interview-emahoy-music-project/ and the kickstarter http://www.kickstarter.com/projects/1483053327/emahoy-sheet-music-project.  

I will definitely keep you posted!

Warmly,
Mary Sutton

Harlem Opera Theater Presents 2013 Vocal Competition 4 PM Saturday, June 29, 2013 at Miller Theatre, Columbia University


Ashley Horne

AUDIENCE - Cast your vote for the opera stars of tomorrow! Join one of the most exciting events of the season as music industry professionals judge gifted and talented emerging and professional singers on the standard techniques of the classical voice and overall performance. 


Finalists receive performance opportunities to develop a repertoire for the international opera stage. Winners of the College Division (ages 18-22) and Professional Division (ages 23-35) receive Judges' and Audience Choice Awards.


Musical interludes by members of The Harlem Chamber Players--violinist Ashley Horne and pianist Erasmia Voukelatos.


TICKETS - GENERAL ADMISSION 
Orchestra $25 | Balcony $20

Call 212-592-0780 for group discounts or to find out more.

The Harlem Chamber Players, Inc. | 191 Claremont Avenue #25 | New York, NY 10027

Examiner.com: 'Former VSU Concert Choir conductor Carl G. Harris to be funeralized Thursday'

Dr. Carl G. Harris will be funeralized on Thursday in Hampton.
Credits: Hampton University

June 25, 2013
It is with great sadness to report the death of Dr. Carl G. Harris, who from 1971-1984 served as Director of Choral Activities at Virginia State University and organist at Historic Gillfield Baptist Church, both in Petersburg, Virginia. Harris was respected in the music community as an outstanding organ soloist, accompanist and for his collegial spirit.
...

Carl G. Harris, Jr. was born in Fayette, Missouri. He attended public schools in St. Joseph, Missouri and graduated from Bartlett High School with honors. He received the Bachelor of Arts Degree in Music (Cum Laude) from Philander Smith College, Master of Arts Degree in Music History from the University of Missouri, and the Doctor of Musical Arts Degree in Conducting from the Conservatory of Music, University of Missouri at Kansas City. In addition, he did further study at Westminster Choir College and Vienna State Academy of Music.
In 2005, he was named Minister of Music Emeritus of the illustrious Bank Street Memorial Baptist Church in Norlfolk, Virginia where he served for 21 years. The glorious anthem, “Shout For Joy” by Adolphus Hailstork was composed for expressly for his choir there and was affectionately referred to as the “Bank Street Anthem.”
...

Dr. Carl G. Harris will be funeralized on Thursday, June 27, 2013 at 11:30 a.m. at First Baptist Church of Hampton, Virginia.

[Adolphus C. Hailstork (b. 1941) is featured at AfriClassical.com]

Monday, June 24, 2013

Tadias.com: 'Emahoy Sheet Music Project Launched'; Ethiopian Nun, Born in 1923, is Pianist and Composer




Mary Sutton of Portland, Oregon made this post in the Guest Book at AfriClassical.com today, June 24, 2013:

I am happy to announce that I am working with composer Emahoy Tsegue Maryam Guebrou to begin archiving and publishing her complete sheet music, as reported at Tadias magazine.
http://www.tadias.com/06/03/2013/emahoy-sheet-music-project-launched/
I
 hope to connect with others who are interested in this great composer!


Project Email: Etmgproject@gmail.com


Mary Sutton and Emahoy Tsegue-Maryam Guebrou in Jerusalem, April 2013. (Courtesy photo)


By Tadias Staff

Updated: Tuesday, June 4th, 2013
New York (TADIAS) – Mary Sutton who studies piano performance at Portland State University in Oregon came across the work of the legendary pianist and composer Emahoy Tsege Mariam Gebru, having listened to volume 21 of the Ethiopiques CD series released in 2006, which featured 16 of the Jerusalem-based Ethiopian nun’s original pieces.
Mary grew up playing piano and is a graduate of the New England Conservatory. She recently told Tadias that she was immediately drawn to Emahoy’s “unique” sounds before realizing that there was no published sheet music of her compositions available for other pianists to play. That was prior to her trip to Israel in April to meet with Emahoy, who gave her the permission to create one.
...
Returning to Jerusalem this summer to begin the process of readying the manuscripts for publication, Mary shared that she is currently raising funds on Kickstarter for the project. “This Kickstarter is just the beginning of a lifetime of a work which has fallen into my hands,” she noted via the online platform. “And as all of Emahoy’s music serves a charitable purpose, I will not be getting paid.”
Emahoy, who was ordained a nun at the age of 21 at the Guishen Mariam monastery in the Wollo region, moved to Jerusalem in 1984 at the height of the military Derg regime in Ethiopia. However, that was not her first forced exile from her country. According to the Emahoy Music Foundation, she was taken as a prisoner of war by the Italians in 1937 and deported along with her family “to the island of Asinara, north of Sardinia, and later to Mercogliano near Naples.”
Emahoy was born “Yewubdar Gebru” in Addis Abeba on December 12, 1923 to a privileged family; her father was Kentiba Gebru, mayor of Gonder and vice president of Ethiopia’s first parliament under Emperor Haile Selassie. Her mother was Kassaye Yelemtu. “Yewubdar was sent to Switzerland at the age of six along with her sister Senedu Gebru,” the foundation notes on its website. “Both attended a girls’ boarding school where Yewubdar studied the violin and then the piano. She gave her first violin recital at the age of ten. She returned to Ethiopia in 1933 to continue her studies at the Empress Menen Secondary School.”
...


It was five years ago this summer, on July 12, 2008, that Emahoy, then 85-years-old, gave a rare public presentation at the Jewish Community Center in Washington, D.C., playing live for the first time in 35 years. “Her extraordinary performance was viscerally and emotionally moving,” wrote Makeda Amha, her great niece, in an article published in Tadias Magazine following the concert. “Her astounding ability as a classical pianist and her skill to warmly express “Reverie,” was a pleasure to listen to, as was “Presentiment,” a sweet, poetic Sonata in B-Flat Major.” 

Dr. Eric Conway writes of Final Day of Australia Tour of Morgan State University Choir Members


Dr. Eric Conway writes of Final Day of Australia Tour:

Well, we have come to the last day of our Australian tour, a travel day back to the good old U. S. of A.  

The plan was to leave at 7:30 PM, however two choir members were still in the bed at 7:30.  This delayed us about 25 minutes, which was not a great start to the day.  We had a similar group check in that we had going to Melbourne, however, the check-in was based on a strict schedule.  We barely made it.  Every bag made it safely on board. To put into perspective, we had a group of 35 arrive for an international flight under one hour before departure.  Whew! We could have still been in Melbourne, Australia, however, I believe that this was the good favor that we have had during every step of this journey.

We said our final good-byes to Udo Jungmann who was an exceptional tour guide.  When we first saw Udo, we believed that he was an Australian, however, he is from Germany.  English was his second language.  He spoke English remarkably well, without any German accent, but an assimilated Australian accent.  We will miss Udo for his calm resolve and sense of humor.  

To give you a sense of the timing of our day.  Upon departure to Australia on June 10, we lost 14 hours of our lives due to flying against the world time zones.  Today, we regained those 14 hours.  In other words, today we had ourselves a 38 (24+14)hour day.  We left our hotel at 7:30 AM on Friday, which was 5:30 PM Thursday morning Eastern Standard Daylight Savings Time.  Our flight from Melbourne to Sydney was a short one hour.  Our flight from Sydney to Dallas/Fort Worth was an exhausting15 hours.  Our flight from Dallas/Fort Worth to BWI was 3 hours.  We arrived in Baltimore at 8:45 PM. All in all, we had over 27 hours of travel time.

Fortunately, we travelled on a very fine Qantas airlines. Their service was exceptional.  Always enjoying a good gadget, you will notice a photo of an Apple iPad on the back of every chair as the movie and in-flight monitoring system - very cool.  If you are wondering if they might walk, there was a sensor on each device that much like a department store, would go off if left the plane, not to mention GPS tracking normally on iPads.

I wish that I could say that no one lost any luggage, but alas, it was not until BWI, the last leg of our journey, did a choir member lose any luggage.  Qantas fulfilled their contract by delivering the luggage to the Texas airport.  However, after reclaiming luggage after international customs declaration, and resubmitting to baggage claim through American airlines, one choir member's luggage did not make it - and it was HOT PINK!  I am sure that the airline will deliver tomorrow.

It felt so very good to arrive at BWI. We felt a sense of pride as we walked through the airport, glancing at a marketing piece for the university - Experience Morgan State Univeristy: Growing the Future, Leading the World!

What a grand tour this has been to Australia!  Many who have travelled on other trips with the choir said that this was the best, the best on so many levels. The shadow group who paid to accompany the choir said that they would travel with the choir again, in a heartbeat! The accommodations and included meals were first-rate. The tours taken to major sites were informative and interesting.  And most importantly, the choir sang well and made a lasting impression on Australia.  Through every concert, there were always several persons in tears.  Andrew Wailes, the director of the Melbourne University Choral Society told me that he has never cried as much as he did when he heard our group sing the Battle Hymn! What a strong message we bring to the world when we travel.  In the best Fisk Jubilee Singers tradition, Morgan is carrying our message to the world in song.  We believe that we are truly Baltimore's, Maryland's and the United States' best Ambassadors.  As the Melbourne theme for our joint concert so appropriately proclaimed we "Let the Light Shine!"

My only regret on this tour was the fact that I could not take more choir members abroad. This was very expensive, and we could only afford to take a choir of 20 voices.  This begs the rhetorical question - how many choir members do you need to make a representative sound.  Although many said that the number that I had sounded like 60 voices, the blend would have been better had I not had only 2 persons on a part when we broke into many parts.  Additionally, there were so many deserving choir members who would have loved to go, however, it is simply a matter of economics. I tried to balance taking some seniors who have graduated with some newer voices who have never traveled with the choir.  Many, as with every tour, are not happy with the fact that they did not make the list.  At the end of the day, this is a very difficult decision for me, but I guess this comes with the position.

For those of you who are English professors and very literate, please forgive any mistakes in grammar, typos, or lack of clarity.  I must confess that there were nights that I did not feel like continuing these reports, but knew that I had to finish what I had started.  I knew that there were many vicariously traveling to Australia through these reports - some call it a blog.

Finally,  see links below to photos and videos of the concerts.  All may not be posted until the weekend, but return and you will be able to see and/or download. I have taken over 1000 photos and must decide on what to share.  

Signing off Alla Aussie ease,

Cheerio!

Photos link:
https://www.dropbox.com/sh/rb3i1hcotibw6ry/aq9iuCMxZr

Videos link:
https://www.dropbox.com/sh/60ivg3nwcg6nsi3/tF1ws-ykIw

'Girma Yifrashewa performs at Habesha Nights' in Brooklyn During U.S. Tour


has a website at: 
and is featured at AfriClassical.com

Vimeo.com
from Sam Saverance
Habesha Nights
Renowned Ethiopian pianist and composer Girma Yifrashewa gave us a surprise performance last Sunday at our latest Habesha Nights Ethiopian dinner party in Bushwick, BK. It was a magical moment as he performed Chopin while we conducted the Ethiopian Coffee Ceremony. The sultry sounds of piano mixed with the sizzle and intense aroma of roasting coffee. A truly unique and Ethiopian experience.

Sunday, June 23, 2013

Pianist Stewart Goodyear and Frankfurt Radio Symphony Orchestra in June 13, 2013 Performance of Olivier Messiaen's 'Turangalila Symphony' on YouTube

Stewart Goodyear

Sergio A. Mims writes:

Here is a YouTube video of a complete performance of  Olivier Messiaen's 

Turangalila Symphony (28:48) with pianist Stewart Goodyear recorded just last

week.



Frankfurt Radio Symphony Orchestra

Stewart Goodyear, Piano∙

Cynthia Millar, Ondes Martenot ∙

Paavo Järvi, Conductor


Recorded June 13, 2013