Monday, March 5, 2012

“University hosts conversation with civil rights activists & scenes from the opera, ‘Freedom Ride’”



[Faculty Member Dara Rahming is “one of four professional soloists” in scenes from the opera Freedom Ride]

AfriClassical has received a Press Release from Laila Morcos of Peter Mayer Public Relations, on behalf of Xavier University:

Freedom Riders Arrive
at Xavier University
50 Years Later


University hosts conversation
with civil rights activists & 
scenes from the opera,
‘Freedom Ride’


NEW ORLEANS (March 5, 2012) – On May 4, 1961, the first Freedom Ride left Washington, D.C., and was scheduled to arrive in New Orleans on May 17th. The Freedom Ride consisted of activists who called themselves “Freedom Riders” and rode interstate buses through the Southern United States to demonstrate against racial segregation. Xavier University (XU) of Louisiana is honoring their legacy and proudly presents “Freedom Riders Remembered” and scenes from the opera, “Freedom Ride” on Tuesday, March 13th, 2012 at 7 pm in the Auditorium of The Administration building. It is free and open to the public. 

The Freedom Riders’ peaceful mission did not come without strife. Freedom Riders provoked violent reactions in cities where the busses stopped. However, that helped fuel the passion of the Civil Rights Movement. Freedom Riders were arrested and attacked by mobs but never fought back or intervened. 

“Freedom Riders Remembered” is a conversation with some of the original Freedom Riders including, Jerome Smith, Sandra Nixon Thomas, Alice Thompson, Claude Reese, Matt Saurez, and Doratha “Dodie” Smith-Simmons. They will discuss their difficult, yet victorious experiences before performance excerpts from Xavier music professor, Dan Shore’s opera, “Freedom Ride,” which honors those civil rights activists.

The project began about a year ago when Executive Director of Longue Vue House and Gardens Joe Baker commissioned Shore to create something new that was socially significant and relevant to the New Orleans community.

“I was attracted to the story of the Freedom Rides because of, among other reasons, the strong local connection,” said Shore. “Not only was New Orleans the original planned destination of the rides, but many of the non-violence training workshops the riders underwent were held in New Orleans. And when I found out some of the riders were housed at Xavier University after the Alabama bombings, I knew that the Freedom Rides absolutely had to be the subject of the opera.”

While the opera is steeped in factual details of a historic event, the opera is completely original. It tells the story of a young girl, Sylvie Davenport, a fictional African-American resident of Pontchartrain Park preparing to attend college on scholarship. Torn between pursuing her academic career and joining the Civil Rights Movement, Sylvie’s story of self-realization and love highlights the courage and sacrifice of those who pursue social justice.

“Although much of the achievement of the Civil Rights Movement were accomplished due to the strength, vision and leadership of a core group of dedicated activists, my primary interest in the opera is in the hundreds of volunteers who came from all places and walks of life who made tremendous personal sacrifice,” said Shore.

The XU University Concert Choir, directed by John Ware, will be performing scenes from the opera, which features four professional soloists; faculty member Dara Rahming, Valerie Jones Francis, Chauncey Packer and Anthoney Zoeller as well as faculty member Dr. Wilfred Delphin on piano. 

NYTimes.com: “Latonia Moore Steps In to ‘Aida’ at the Metropolitan Opera”


[(Cory Weaver/Metropolitan Opera) Latonia Moore as Aida in her Metropolitan Opera debut.]

John Malveaux of www.MusicUNTOLD.com sends this review of soprano Latonia Moore:

The New York Times
Music Review
By Anthony Tommasini
Published: March 4, 2012 
“As often happens with cover singers at the Metropolitan Opera the soprano Latonia Moore had less than a day’s notice to take over a major part, in her case the title role of Verdi’s 'Aida' on Saturday afternoon. Violeta Urmana, scheduled to sing, was ill. (Sondra Radvanovsky had filled in for her on Tuesday.) So with just some studio coaching sessions and no rehearsal onstage, Ms. Moore, a 33-year-old Houston native, made her Met debut in the last performance of the revival of the company's 1988 production this season, with Marco Armiliato conducting. The audience loved her. When Ms. Moore took her solo curtain call at the end, she received an ecstatic ovation.” 

Songs of Margaret A. Bonds & Florence B. Price on 'There Is No Gender In Music' on WQXR


[Florence B. Price]

On Sunday, March 4, 2012 WQXR.org aired a program entitled 'There Is No Gender In Music.' It featured two songs of Florence B. Price (1887-1953) and one of Margaret A. Bonds (1913-1972). Both composers are profiled at AfriClassical.com, which features a comprehensive Works List for each by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com:


WQXR
Sunday, March 04, 2012
"There is no gender in music," said composer Elinor Remick Warren. In this program we look at the lives and songs of generations of American women composers.

My Soul’s Been Anchored in the Lord
Florence Price, arr.
/ Traditional
Marian Anderson, contralto; Franz Rupp, piano.

Songs to the Dark Virgin
Florence Price
/ Langston Hughes
Darryl Taylor, tenor; Maria Corley, piano.



Poème d’Automne from Songs of the Seasons
Margaret Bonds
/ Langston Hughes
Louise Toppin, soprano; John O’Brien, piano.




Sunday, March 4, 2012

Afro-Cuban Composer Tania León Live On WPRB 103.3-FM March 14, 10:30 AM – 1 PM for Women's History Month


[Tania León]
Classical Discoveries
And
AVANT-GARDE EDITION
With Marvin Rosen
Wednesdays 5:30-11am and 11am-01:00pm

Winner of the ASCAP Deems Taylor Radio Broadcast Award for 2005


As always, the series “In Praise of Woman” is a sign that spring is coming here on the East Coast.  You do not have to worry now if you miss my program because for 2 weeks after the show you can now listen to my program on your computer by going to my new MP3 Archive Page.

In Praise of Woman
Every March from 2004, in observance of Women's History Month, Classical Discoveries pays tribute to music by women composers from all over the world and through the centuries. Every regular scheduled program is exclusively devoted to their music.


Every Wednesday in March Classical Discoveries from 5:30 through 11:00am and Classical Discoveries Goes Avant-Garde from 11:00am through 1:00pm

On March 14, Classical Discoveries will host live, in the WPRB studio, from 10:30am till 1:00pm, Cuban composer Tania León. [The website of the Afro-Cuban composer and conductor Tania León (b. 1943) is http://www.tanialeon.com/; she is also profiled at AfriClassical.com]

John Malveaux: 'Charlayne Hunter-Gault explores the life of Marian Anderson' on PBS


[Marian Anderson]


John Malveaux of www.MusicUNTOLD.com tells AfriClassical: 



Charlayne Hunter-Gault explores the life of Marian Anderson http://www.pbs.org/newshour/bb/remember/1997/anderson_2-26a.html

PBS
Online News Hour
“A Voice of Hope

February 26, 2012
Marian Anderson was one of the greatest voices in opera, but she was denied a wider audience due to the racism and segregation of her era. After this report on Anderson's life, Charlayne Hunter-Gault explores the life of an artist with her nephew and a fellow singer on the 100th anniversary of her birthday.” 

ArtsBeat.Blogs.NYTimes.com: 'Jessye Norman to Publish Memoir'



Sergio Mims brings this news to our attention:

The New York Times
Arts Beat
February 29, 2012, 12:23 pm


By Julie Bosman
“Jessye Norman, the renowned opera singer, will write a memoir about her family and professional life, her publisher said on Wednesday. The book, 'Stand Up and Sing!' is scheduled for release by Houghton Mifflin Harcourt in late 2013.”

LATimes.com: “American Ballet Theatre's 'Firebird' looks to Misty Copeland”


[Misty Copeland, left, and Copeland in Tchaikovsky Pas de Deux. (Jade Young, left, and Rosalie O'Connor.)]

John Malveaux of www.MusicUNTOLD.com tells us of this story:


By Diane Haithman, Special to the Los Angeles Times 
March 3, 2012



He also refers us to another article on Misty Copeland, at
www.musicuntold.com



'H. T. Burleigh - Were you there? - Samuel Leon Moseley' YouTube (2:30)

[Henry T. Burleigh (1866-1949)]

Uploaded by moseley2604 on Mar 4, 2012

A Musical Offering 
H. T. Burleigh, Were you there,
Samuel Leon Moseley - flute.

Henry "Harry" Thacker Burleigh (1866-1949) was an African American composer, arranger and baritone soloist who is profiled at AfriClassical.com, which features a comprehensive Works List by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com Here is the entry for Were you there?:

“Were you there?, for high voice & piano (1924). New York: G. Ricordi, 1924. 5p. Duration: 3:88.”

Burleigh was born in Erie, Pennsylvania and died in Stamford, Connecticut. In his lengthy career, Burleigh wrote 265 vocal works and made 187 choral arrangements. In 1916 Henry T. Burleigh published Jubilee Songs of the United States of America, a book of arrangements of spirituals for solo vocal performance. 

NYTimes.com: 'Venerated High Priest and Humble Servant of Music Education'


[(Meridith Kohut for The New York Times) José Antonio Abreu, the founder of El Sistema, a Venezuelan music education program.]

Daniel J. Wakin

March 4, 2012
Caracas, Venezuela
“AS he slowly walked through the adoring and bubbling crowd of young people, the frail elderly man brushed a cheek, clasped an arm, bestowed a smile. He lingered affectionately with members of a choir composed of disabled youngsters. For anyone who observed Pope John Paul II in action amid third-world crowds during the later years of his papacy, it was a familiar sight: the charisma, the smiles, the contrast of stooped holy man and spirited youngsters, the solicitousness for the weak.


“But on this February day at the Teresa Carreño Theater here, the center of attention was not a pope. It was José Antonio Abreu, the founder and influential leader of a classical music education program called El Sistema. Mr. Abreu was showing off some of its orchestras to visiting Americans in an elaborately choreographed showcase.

“The endless explorations of El Sistema, in articles, documentaries and books, give little attention to one of its more striking aspects: a similarity to organized religion and, more specifically, the Roman Catholic Church.”

'William Grant Still: Old California (1941) - Homage to great YouTubers: vdiscdaddy'



[ABOVE: William Grant Still (Photo is the sole property of William Grant Still Music, and is used with permission) BELOW: Title Screen of YouTube video]

Old California, symphonic poem (8:36) (1941), was recorded under the direction of Pierre Monteaux on V-Disc 386. It is one of more than a thousand Victory Disc recordings in the collection of vdiscdaddy. The Victory Disc recordings were produced by the U.S. War Department during World War II:

“Uploaded by collectionCB2 on Mar 3, 2012 

Homage to great YouTubers: vdiscdaddy


“William Grant Still (1895-1978) (USA)
Old California, symphonic Poem (1941) 
Dir : Pierre Monteaux (V-Disc 386)

“Created on 2008, April the 10th, by an Afro-American, 'vdiscdaddy''s cultural musical channel presents, with more than 1000 videos, his splendid collection of « V-Disc » (Victory Disc), American discs recorded during WWII for troop morale. Among hundreds of celebrities which have participated in the war effort:

“Tommy Dorsey, (Captain) Glenn Miller, Art Tatum, Frank Sinatra, Judy Garland, Eddie Cantor, Louis Prima, Andre Kostelanetz, Fats Waller, Duke Ellington...” 




[William Grant Still (1895-1978) is profiled at AfriClassical.com, which features a comprehensive Works List by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com Recordings, sheet music and books of William Grant Still are available at www.WilliamGrantStill.com, which is operated by the composer's daughter Judith Anne Still]


Comment by email:
Thanks, Bill -- Old California is a fine work.  [Judith Anne Still]