Executive Director, Youth Orchestra of the Lower Ninth Ward
Position Summary
The Youth Orchestra of the Lower Ninth Ward seeks an Executive Director to guide and enable the growth of the organization through fundraising, curricular consultation and creating and managing a national presence. |
Monday, April 30, 2012
Youth Orchestra of the Lower 9th Ward Seeks Executive Director
Patrick D. McCoy to bid Takoma Park Baptist Church a fond farewell June 24, 2012
On March 11, 2012, Patrick D. McCoy tendered his resignation as Minister of Music of Washington, D.
C.'s Takoma Park Baptist Church. McCoy assumed the position in October
2006 and is credited for revitalizing the church's music ministry.
Sunday, April 29, 2012
'Soul Music: Taking the Pulse of Race and Music' by Candace Allen
[Candace
Allen]
Sergio
Mims sends a press release for a non-fiction book by novelist Candace
Allen:
Why
has music got such a powerful hold over our thoughts, particularly
when race is involved?
Veteran
of (or foot soldier in) one of the many cultural wars of the late
20th century, Candace Allen finds grounds for hope in the, for her,
unlikely realm of Western classical music.
After
charting her progress into Black Cultural Nationalism and out again,
Allen set out to find if the pitched battles between "our"
music and "their" music persisted among young people
engaged in serious music study in Palestine, Venezuela, Scotland, the
streets of London and Kinshasa.
In
all cases, the unexpected answer she discovered was no. Tribal
multiculturalism is a 20th century artefact counter-productive to the
global realities of the 21st century and that without the lingering
prejudices of 20th century cultural warriors, coming generations
would cross
boundaries
and embrace others with unfettered curiosity and often abandon.
Candace
Allen published her first novel, Valaida, with Virago (Little
Brown). This is her first work of non-fiction. She has written for
the Guardian and
Independent and has appeared on various radio programmes such as
the Today Programme in relation to her work for the Obama campaign.
She was the first black female Assistant Director to join the
Director's Guild of America, currently
she
lives in Islington, London.
Roy Eaton: "I am inaugurating Bryant Park's annual 'Piano in the Park' series on my 82nd Birthday, Monday May 14"
Pianist Roy F. Eaton writes:
This year I am inaugurating
Bryant Park's annual "Piano in the Park" series on my 82nd Birthday, Monday May
14. That entire week, Monday to Friday from 12:30 to 2:30 I will be
performing Joplin, Chopin, Gershwin, Mozart and some suprises from my latest
album "I Play for Peace".. Come enjoy the park, the sun, a good lunch and
some joyful music making. Hope you can make it.
Hear Roy at:
SUNY Orange Symphonic Band to Feature World Premiere of Carlton L. Winston's 'Dionysian Mysteries' 8 PM May 12
[Carlton Winston]
MIDDLETOWN,
N.Y. -- The SUNY Orange Symphonic Band will offer a collection of
premieres of contemporary concert band compositions when it presents its
annual Spring Concert at 8 p.m., Saturday, May 12 at Middletown’s
historic Paramount Theatre.
Entitled “First Hearing ...”, the program will showcase several
works receiving either their world or New York State premieres. The
highlight of the program will be the world premiere of Carlton L.
Winston’s “Dionysian Mysteries.”
Winston, a native of Columbus, Ohio, is a promising
young composer whose “When the Great Owl Sings” was a highlight of the
band’s 2010 summer concert series. The performance of “Dionysian
Mysteries” will include a brief introductory narration written by
Winston to complement the music and recorded by principal horn Christine
Chase Sacchi under the direction of Kevin Scott, band director.
The
evening’s musical slate will also feature the first New York State
performance of Gary Powell Nash’s "Giovanna’s Song and Dance,” a
festive dance celebrating the birth of his daughter and employing
African rhythms alongside jazz and rhythm and blues riffs.
Rounding out
the concert are three concertos, including Persis Parshall Vehar’s
“Bright Phoenix Ascending” for alto saxophone and wind ensemble, which
will be receiving its first performance in Orange County. Featured
soloist during this piece will be Tonie DePasquale, chair
of the Middletown City Schools District’s music department and
vocal/general music teacher at Maple Hill Elementary School.
The remaining concertos include Eric Joseph Richards’ “Dance of
the Southern Lights” for piccolo and wind ensemble, and Aaron Copland’s
“Quiet City” in an arrangement for wind ensemble by Donald Hunsberger.
Stefanie Proulx (below), a senior at Monroe-Woodbury High School, will
play a solo during the Richards piece while soloists for the Copland
arrangement include Scott Suckling (the band’s principal trumpet player)
and Natassia Velez (principal oboist/English Horn).
Rounding out the program will be Maurice C. Whitney’s “Dramatic
Episode” and a Glenn Cliffe Bainum arrangement of Jaromir Weinberger’s
“Polka and Fugue” from “Schwanda, the Bagpiper.”
The concert is sponsored by the College’s Arts and
Communication Department. General admission is $5. SUNY Orange Students
with a current ID and active military personnel will be admitted free.
The Paramount Theatre, located at 17 South St. in Middletown, is
universally accessible. For more information, contact the Arts and
Communication Department at (845) 341-4787.
Edward Kennedy 'Duke' Ellington, Great American Composer Born April 29, 1899
Duke Ellington's Concert of Sacred Music; Duke Ellington Harlem on Chandos; Duke Ellington's My People on Contact; Duke Ellington: Black, Brown,
and Beige: A Tone Parallel to the History of the American Negro on RCA Victor.
Edward Kennedy "Duke" Ellington was an African American
composer, pianist and jazz band leader who is featured at AfriClassical.com. He was born into a
middle-class family in Washington, D.C. on April 29, 1899. When he died in 1974, he had global stature as an All-American musician.
A prominent figure in the history of jazz, Ellington's music stretched
into various other genres, including blues, gospel, film scores,
popular, and classical. His career spanned more than 50 years and
included leading his orchestra, composing an inexhaustible songbook,
scoring for movies, composing stage musicals, and world tours. Several
of his instrumental works were adapted into songs that became standards.
Due to his inventive use of the orchestra, or big band, and thanks to
his eloquence and extraordinary charisma, he is generally considered to
have elevated the perception of jazz to an art form on a par with other
traditional genres of music. His reputation increased after his death,
the Pulitzer Prize Board bestowing a special posthumous honor in 1999.
Ellington
called his music "American Music" rather than jazz, and liked to
describe those who impressed him as "beyond category".
Chris Foley: 'I still have fond memories of playing Akin Euba's The Wanderer for cello and piano with Sue Round'
[Akin
Euba]
On
April 28, 2012 AfriClassical posted: “Akin Euba, Nigerian Composer & Ethnomusicologist, Professor Emeritus, Univ. of Pittsburgh, is 77 Today.” Chris Foley, our friend in Toronto, added this comment
the same day:
“I still have fond
memories of playing Akin Euba's The Wanderer for cello and piano with
Sue Round (and coaching it with Gyimah Labi) at a Vancouver New Music
Concert 12 years ago. Such a richly textured work - I hope I get
another chance to perform it one of these days.”
[The
Akin Euba page at AfriClassical.com features a Works List and
Bibliography by Prof.
Dominique-René
de Lerma
,
http://www.CasaMusicaledeLerma.com
.]
John Malveaux: 'At midnight, January 1, 1863, Confederate slaves everywhere dropped to their knees and thanked God'
Prior
to 1862, New Year's Eve was a somber occasion for slaves. This was
the day when plantation owners tallied up their business accounts for
first day of each new year. Debts would need to be paid by the first
of each year, so human property was sold, along with land and
furnishings. It was a tragic time, when families were split apart
forever.
But
on Dec. 31, 1862, American slaves impatiently waited for the stroke
of midnight, which would signify the adoption of President Abraham
Lincoln’s Emancipation Proclamation, which he had signed on Sept.
22, 1862. This action legally guaranteed the freedom of slaves in all
Confederate states. At midnight, January 1, 1863, Confederate slaves
everywhere dropped to their knees and thanked God for their freedom.
The occasion that year would come to be known as “Freedom’s Eve”.
Though
we all know the Emancipation Proclamation didn’t take effect
immediately in all states, the time-honored tradition of
African-Americans gathering together to bring in the New Year under
religious standards still lives during Watch Night.
Saturday, April 28, 2012
AfriClassical.com: Parents and Early Years of Samuel Coleridge-Taylor, From Biography by Jeffrey Green
[
African
Heritage Symphonic Series, Vol. 1
;
Danse
Nègre From African Suite
(6:14);
Petite
Suite de Concert
(13:36);
Chicago Sinfonietta; Paul Freeman, Conductor; Cedille 90000 055
(2000)]
The
English historian Jeffrey Green is author of
Samuel
Coleridge-Taylor, a Musical Life
,
published by Pickering & Chatto Publishers (2011).
It
has been favorably reviewed by Professor Dominique-René de Lerma:
“This biography corrects errors of the past and reveals that which
had been hidden. One comes away from this study with a new sense of
the composer, his colleagues and supporters, and the social and
political environment in which he lived.”
|
Daniel Peter
Hughes Taylor was raised in Freetown, in the British colony of Sierra
Leone, Jeffrey Green tells us on Page 6 of his biography. He writes:
“Daniel Taylor attended the Church Missionary Society's grammar
school.” The author explains: “...its curriculum included Greek
and Latin.” He then tells us: “Daniel Peter Hughes Taylor was
there for four years. His family then sent him to England.”
He
began studies in 1870 at Wesley College in Taunton, in the West of
England, the author says. Subsequently, “...
..Taylor
went to study medicine at King's College Hospital, London. In
November 1874, aged twenty-five, he qualified as a Member of the
Royal College of Surgeons (MRCS). Sometime during his years in London
he met Alice, the woman who was to be the composer's mother.
"
Daniel
Peter Hughes Taylor, MRCS took no part in his child's upbringing.
Nothing survives on Taylor's time at King's College but documents at
the Royal College of Surgeons show he registered in October 1871
after an examination in June.” The first biography of Samuel
Coleridge-Taylor appeared in 1915. Green continues: “That biography
states Dr. Taylor joined a medical practice in Croydon, taking on the
sole running of it and suffering financial distress as patients did
not trust a black doctor working without white supervision. So Taylor
returned to Africa, leaving his wife and son behind.” The author
says “...Daniel Taylor was back in Freetown before Alice's body
started to swell with their child.”
Colonial records for the Gambia are cited by the author as evidence that Dr. Taylor served as "deputy coroner" starting in 1891, and as coroner from 1896. A fee would have been paid him for each autopsy. Green writes Dr. Taylor died on August 25, 1904 at 57. A gravestone was erected by his daughter, the author writes. She is subsequently named as Rachel Taylor.
Jeffrey
Green writes that Coleridge-Taylor's maternal grandfather was
Benjamin Holmans, a blacksmith: “Holmans's relationship with a
younger woman had led to the birth of their daughter on 17 September
1856 at 43 Castle Place, Dover (where the 1851 census placed the
Holmans). When Emily Ann Martin registered the birth of her baby,
Alice Hare, no father's name was recorded. Alice Hare Martin was to
be the composer's mother. In the census of 1871 she was listed in the
Holmans household at 15 Theobalds Road...”
Jeffrey
Green writes of the birth of Samuel Coleridge-Taylor on August 15,
1875, which was registered on September 27, 1875: “Alice makes her
third appearance in the documents of Victorian England when she
registered the birth of her black baby in 1875. 'Samuel Coleridge
Taylor [
sic
]'
had been born at 15 Theobalds Road on 15 August 1875. Alice's
nineteenth birthday was a few weeks later. Soon they moved 10 miles
(16 km) south to Croydon. There the composer lived with his
grandfather and mother into the 1890s.”
Coleridge-Taylor
was raised at 67 Waddon New Road, Croydon. The author says the block
faced railroad tracks busy with coal-powered steam engines, and was
downwind of a slaughter house.
Young
Samuel was raised by his English mother and grandparents, the author
tells us. On P. 12 he writes: “Benjamin Holmans played the violin
and gave Coleridge-Taylor his first music lessons, the composer told
the
Musical
Times
in
1909. Coleridge-Taylor's first biographer wrote that Holmans
'taught him the various elementary positions on the instrument',
these lessons being 'of the most rudimentary type'.”
Census
records confirm the makeup of the household of young Samuel, known to
his family as Coleridge: “Benjamin Holmans provided the home for
his wife, his daughter Alice and 'Coleridge Taylor': all listed at 67
Waddon New Road in the 1881 census.” Later on the same page we
read: “...there was financial stability in the household as
Coleridge - never called Samuel within the family - grew up.” The
author continues: “This financial security plus the warmth and
affection provided by his elders were important elements in the
formation of Coleridge-Taylor's character. “So too was their house
at 67 Waddon New Road for it sheltered the boy until the 1890s when
he was established at the Royal College of Music.”
[Samuel
Coleridge-Taylor
(1875-1912)
is profiled at AfriClassical.com,
which features a comprehensive Works List and a Bibliography by Prof.
Dominique-René de Lerma,
http://www.CasaMusicaledeLerma.com]
'Tales from the Bass Line' about the Nigerian/Irish classical double bassist, teacher and broadcaster Chi-chi Nwanoku
[Chi-chi Nwanoku]
Sergio Mims writes:
I wanted you and all your readers to know about a new documentary coming out soon called Tales from the Bass Line about the Nigerian/Irish classical double bassist, teacher and broadcaster Chi-chi Nwanoku:
She's a member of the British period instrument ensemble The Orchestra of the Age of
Enlightenment and a chamber player and soloist as well,
Chi-chi is world renowned in the classical music world. She also has
her own website where you can find out more about her http://www.chi-chinwanoku.com/
Leo Brouwer Conducts Zagreb Philharmonic Orchestra, Croatia, April 27, 2012 in Works of Brouwer and Albeniz
Leo Brouwer
The Afro-Cuban guitarist and composer Leo Brouwer (b. 1939) is profiled at AfriClassical.com:
27. 04. 2012. 19:30 Concerts and Music Events
27. 04. 2012. 19:30 Concerts and Music Events
Concert and Congress Hall Vatroslav Lisinski
Zagreb Philharmonic Orchestra; Conductor: Leo Brouwer; Soloist: Edin Karamazov, guitar;
Programme: L. Brouwer, I. Albeniz/L. Brouwer
Akin Euba, Nigerian Composer, Ethnomusicologist and Professor Emeritus at the University of Pittsburgh, is 77 Today
[Akin
Euba]
Akin Euba was born in Lagos, Nigeria on April 28, 1935. His life and works are honored on the Akin Euba page at AfriClassical.com, which features a Works List and Bibliography by Prof.
Dominique-René
de Lerma
,
http://www.CasaMusicaledeLerma.com
.
Prof. Euba's retirement celebration took place on March 15, 2011.
Phil Thomson of the University of Pittsburgh posted a blog tribute on
April 18, 2011. Here is an excerpt:“Andrew W. Mellon Professor of Music Akin Euba will retire at the end of the 2011 spring semester, so on March 15 colleagues, students, alumni, and family gathered together to celebrate and share good wishes as he enters the next phase in his career. Akin Euba’s retirement celebration reflected all the elements of his storied career as a scholar, composer, and performer. During his 18 years with the Department of Music, he has fostered the field of creative musicology, led the Centre for Intercultural Musicology at Churchill College (Cambridge University) and mentored ethnomusicology students who have gone on to lead the field in their own rights.”
Akin Euba's intercultural activities have continued beyond his retirement from the University of Pittsburgh. Joyce Adewumi organized “Dialogue: Africa Meets North America in Harlem, October 30 – November 3, 2011, New York” with the authorization and participation of Prof. Euba. A recent example of his legacy of African culture and studies is the formation of the Fela Sowande Singers at the University of Pittsburgh. The group's Founder is Dr. Oyebade Dosunmu, who took part in Prof. Euba's retirement celebration and was recently profiled on AfriClassical.
Comment by email:
Dear Mr. Zick, Thank you very much for marking my birthday. I very much appreciate it and wish your web site every success. Akin Euba.
Friday, April 27, 2012
Cheryl Lynne Skinner Releases 'Derby Blues,' Second Contemporary Muse Project MP3
"Derby Blues" 2nd Contemporary Muse Project MP3
Release by Cheryl Lynne Skinner
Some
say KY is known for our fast horses and wild women, or is it wild
horses and fast women regardless, what would KY be without the Derby?
Fondly called “the greatest two minutes in sports“ the 2012 KY
Derby will be run May 5, 2012. As Composer/Musician Cheryl Lynne
Skinner researched “Shades
of Blue” her
second CD release she discovered that
“the
first five races were won by African American jockeys” according
to Tapestry-A
Visitors Guide to Kentucky’s African American Heritage”. She
decided to write “Derby
Blues” honoring
the Run
for the Roses as
a tribute to Issac Murphy, Jimmy Winkfield and all the other Black
jockeys who helped pave the way for this KY and now American
tradition. Jimmy Winkfield was born in Lexington, Kentucky.
Skinner
recalls playing the signature anthem “My Old Kentucky Home” by
Stephen Foster in a performance by the University of Louisville
Marching Band at the KY Derby. “We
were literally down at the winner’s circle next to the track. I
will never forget the thunderous noise that the horses made.
Watching it on television is one thing but it’s quite another to be
that close to that kind of energy. It was amazing to see just how
fast they are running!” Skinner
expresses that energy in her new flute release.
“Derby
Blues” is
the second release of the annual Contemporary Muse MP3 Project at
cheryllynneskinner.com where Elinez Music, Skinner’s independent
label is excited to release an mp3 single each month April-July this
summer. The April mp3 release “Heartbeats” , a flute instrumental
dance track explored feelings of infatuation, attraction, “love
at first sight” and new love that wants to dance. “Derby
Blues” represents
the heart racing pulsations and excitement of the thunder over
Louisville’s Churchill Downs race track. Like on the race track
this MP3 track naturally begins with the traditional bugle call and
then there’re off! But the flute is the lead horse in this race
all the way to the finish line. Give it a listen we think it’s a
winner!
Listen
to sound clips and/or the MP3’s can be downloaded for $.99 from the
Marketplace Page at http://www.cheryllynneskinner.com
The cover art image for “Derby
Blues” was
created from the batik “Blue
Thunder” designed
by Kentucky visual artist Sandra Charles . You can check out her work
at http://www.picturetrail.com/sandracharles
Guardian.co.uk: 'Noah Stewart becomes first black musician to top classical album chart' in UK
John Malveaux of www.MusicUNTOLD.com provides this link:
A tenor singer from Harlem, New York, who used to be a receptionist at the city's famous Carnegie Hall, has
become the first black singer to top the UK classical album chart in its
25-year history, his record company has said. Noah Stewart, 31, who completed his debut run at London's Royal Opera House in Judith Weir's Miss Fortune last week, went straight to the No 1 slot with his debut album Noah.
The
31-year-old, who was supported financially as a young singer by the
actor and producer Bill Cosby, said: "I'm very proud to be the first
black musician to top the classical charts. It's both an honour and
privilege."
*****
At
the age of 12, his choir teacher encouraged him to pursue a music
career; he began doing voiceovers for Sesame Street and TV school
specials and won first place in the New England music competition in
Boston, before gaining a full scholarship to the Juilliard School in New
York.
Surrey Opera: 'Open rehearsal working on Samuel Coleridge-Taylor's Symphony in A minor op. 8 and Zara's Ear-rings op. 7,' 28 April 3 PM
[Samuel
Coleridge-Taylor: Symphony in A Minor;
Aarhus Symphony Orchestra; Douglas Bostock, Conductor; ClassicO 684
(2005) (36:44)]
Saturday
28
April,
3-6pm – Open rehearsal working on SC-T‟s Symphony in A minor op.
8 and Zara's Ear-rings op. 7 - Rhapsody for voice and orchestra. The
rehearsal will be followed by tea and an informal performance of the
two works at approximately 7.30pm.
Please
contact Jonathan Butcher jonathanbutcher@blueyonder.co.uk if you
would like to take part etc. Venue – Clyde Hall, Clyde Rd. Croydon,
CR0 6SZ.
[Samuel
Coleridge-Taylor (1875-1912) is profiled at AfriClassical.com, which features a
comprehensive Works List and a Bibliography by Prof. Dominique-René
de Lerma, http://www.CasaMusicaledeLerma.com.
The Samuel Coleridge-Taylor Foundation has a website at:
http://www.sctf.org.uk]'22nd Annual Spring Benefit Concert' of The Still Waters Youth Sinfo-Nia of Metropolitan Atlanta, Sunday, May 6, 2012, 5 PM
David E. Robinson, III sends this news:
Greetings to All,
The Still Waters Youth Sinfo-Nia of Metropolitan Atlanta will be holding its 22nd Annual Spring
Benefit Concert on Sunday, May 6, 2012, 5 PM at the Holiday Inn Capital
Conference Center located at 450 Capital Ave., ATL 30312 (near Turner Field).
Tickets are $15 for adult and $10 for student. We are doing an
exciting musical Tribute to the Real Red Tails of the Tuskegee Airmen.
There will be a good number of them present (along with their families).
As a part of the Tribute, the "world premiere" of a selection
composed by yours truly will make its debut. The title is "Into the
Wind, Into the Air." A great history lesson will take place as some
of the Red Tails will share some of their stories.
Sinfo-Nia, an historical organization is truly
making history. The story of Sinfo-Nia is somewhat similar to that of the
Tuskegee Airmen. Sinfo-Nia offers opportunities for talented students to
become more proficient on their instruments, fine-tune their skills and learn
new ones, prepare for auditions into other programs, perform in public, travel
throughout the state, country, and abroad, perform a variety of multicultural
music, perform for audiences that usually don't get to see live orchestras,
encourage children to play musical instruments (especially strings), and so on
in a nurturing environment without audition (except for level placement; and
many move up through the ranks at a faster pace) where everyone is welcomed who
wishes to take part. Sinfo-Nia has trained many. Some Sinfo-Nia
alums are playing in professional orchestras, chamber ensembles, and so on.
One is an ethnomusicologist with a doctorate degree. Some have (and
are) taking part in the Atlanta Symphony Orchestra Talent Development Program.
some current students are taking private lesson. Some attend other
orchestra camp (which we highly encourage). Sinfo-Nia provides
opportunities for students to become successful in the orchestral music world.
Sincerely,
David
E. Robinson, III
Founder
and Artistic Director
Still
Waters Youth Sinfo-Nia of Metropolitan Atlanta, Inc.
Please
visit our new website at www.stillwatersyouthsinfo-nia.org
Comment by email:
Comment by email:
Hello Bill, Thanks for publishing our Spring Benefit Concert. The students are
working very hard to make this special for the Tuskegee Airmen "Red
Tails" who will be at the performance. Sincerely, David E. Robinson, III
'Music by Dolores White, Janice Misurell-Mitchell, Pat Morehead, Elizabeth Wilson, Ann Ward' & Regina Harris Baiocchi on April 29 at 2 PM
[Regina
Harris Baiocchi]
Composer
Regina Harris Baiocchi announces:
6
Degrees Composers Concert:
Sunday, 29 April, 2:00 PM
Sunday, 29 April, 2:00 PM
Church
of the Good Shepherd, 5700 South Prairie, Chicago
New
& Original music by
Dolores White
Janice Misurell-Mitchell
Dolores White
Janice Misurell-Mitchell
Pat
Morehead
Elizabeth Wilson
Ann Ward
Regina Harris Baiocchi
Elizabeth Wilson
Ann Ward
Regina Harris Baiocchi
RSVP:
312-253-7453
Peace,
Regina
Concord Chorale: 'A Day in Paradise,' 'Traditional African-American Spirituals' and other works April 28 & 29
A
Day in Paradise
Traditional
African-American Spirituals and works by
Norman Dello Joio, Eric
Whitacre, Brian Holmes & others.
Featuring tenor
Limmie Pulliam, pianist Molly Wood
and violinist Bozena O'Brien.
Saturday, April 28
at 8, Saint Paul's Episcopal Church
Sunday, April 29 at 3,
Concord Unitarian Universalist Church
Comment by email:
Hi Bill, Thanks
very much for the email, and we're delighted to see our upcoming
concert promoted. Perhaps I'm hopelessly out of the loop, but how did
you hear of the concert? Warm regards, Peter Cram
Thursday, April 26, 2012
John Malveaux: Latonia Moore Featured in Gustav Mahler's Symphony No. 2 in C Minor
[Latonia
Moore]
Mahler
Symphony No. 2 in C minor 'Resurrection' (5th movement); featuring
Latonia Moore, Nadja Michael; Vienna Philharmonic (Deutsche
Grammophon)
Haitian Composer Julio Racine (b. 1945) Featured in International Journal of Bahamian Studies, Vol. I
[Julio
Racine]
The
Haitian composer, arranger and flutist Julio Racine (b. 1945)
is profiled at AfriClassical.com. Dr. Christine Gangelhoff provides
a link to The
International Journal of Bahamian Studies, Vol. I,
http://journals.sfu.ca/cob/index.php/files/issue/view/30:
One
of the Haitian composers featured in Vol. I is Julio Racine:
“The
works of Haitian composer Julio Racine clearly display a
folk-inspired compositional style. Unlike other composers who
incorporate folk elements in a melodic manner, Racine relies more on
rhythmic aspects to develop themes.
“I
use rhythmic development in my music, because Haitian music is
essentially rhythmic. In fact most every instrument in folk is a
one-pitch instrument, which tells you it's mainly rhythmic (J.
Racine, personal communication, July 2011).
“In
his work, Tangente au Yanvalou for flute and piano, Racine
invokes the folkloric rhythms of the Yanvalou. He manipulates
the meter to suggest the folk rhythm: sometimes it will miss one
step, sometimes it will have one step too many, until it finally
becomes the Yanvalou (Racine, 2011).”
The International Journal of Bahamian Studies, Vol. I: 'The Bahamas, Guadeloupe, Haiti, Jamaica, and US Virgin Islands'
[Cleophas
R.E. Adderley]
Dr.
Christine Gangelhoff is Assistant
Professor of Music, The College of The Bahamas, Nassau, Bahamas.
She writes with an update on a publication on Caribbean Art Music,
The International Journal of Bahamian Studies:
Dear
Bill,
I
hope this email finds you well. Thank you once again for
promoting the first volume of our bibliography on Caribbean art music
on your site. For any readers who have not seen the publication, it
is the first stage of a comprehensive annotated bibliography
of Caribbean classical music
material: books, articles, scores, recordings, websites, and sound
and video files. Vol. 1 covers five countries: The Bahamas,
Guadeloupe, Haiti, Jamaica, and the US Virgin Islands. You can
view the publication on this site:
We
are currently gathering material for the Volume 2, which will cover
Barbados, Trinidad, Grenada, BVI, Aruba, Curacao, Dominica, St.
Kitts, Antigua and Barbuda, and any other countries for which
information can be found. The future Volume 3 will cover Cuba,
the Dominican Republic and Puerto Rico.
We
are also preparing updates for Volume 1 and would welcome leads to
material that has come out since its publication in Fall 2011 (or,
indeed, to material that we missed and failed to include).
Readers
who have any information on composers from this region can contact us
at cariclassical@hotmail.com or
gangelhoff@gmail.com.
Best
regards,
Christine
Dr.
Christine Gangelhoff
Assistant
Professor of Music
The College of The Bahamas
Nassau, Bahamas
Guest Book: 'I've admired Dawson's arrangements since the 1940s, when we sang them a great many times in the choirs'
[The
Spirituals of William L. Dawson; The
St. Olaf Choir; Anton Armstrong, conductor; Marvis Martin, soprano;
St. Olaf Records 2159 (1997)]
William Levi Dawson (1899-1990) was an African American composer, arranger
and choral director. He
is
profiled at AfriClassical.com, which features a comprehensive
Works
List by Prof. Dominique-René de Lerma,
http://www.CasaMusicaledeLerma.com
The
composer Ezra Sims, http://www.ezrasims.com/,
has a number of recordings to his credit. He wrote this post in the
Guest Book at AfriClassical.com:
"Ezra
Sims Wednesday,
4/25/12, 5:24 PM I've admired Dawson's arrangements since the 1940s,
when we sang them a great many times in the choirs -- church and
college -- of which I was a member. Some are, you might say, burned
into my memory. From: Birmingham, Ala, originally"
Wednesday, April 25, 2012
John Malveaux: Nokuthula Ngwenyama 'to perform during 150th Anniverary Emancipation Proclamation Concert'
[Nokuthula Ngwenyama]
The
renowned violist Nokuthula Ngwenyama (b. 1976) is President of the
American Viola Society and has long been featured at
AfriClassical.com. John Malveaux of www.MusicUNTOLD.com
writes:
“Violist Nokuthula Ngwenyama accepted invitation to
perform during 150th Anniverary Emancipation Proclamation Concert”
http://www.ngwenyama.com/live/
Tuesday, April 24, 2012
Daily Maverick, South Africa: 'Harlem Quartet: The soft power of two violins, a viola and a cello'
South Africa
April 25, 2012
A small-scale but
bursting-with-energy chamber ensemble, the quartet is the latest
cultural exchange group visiting South Africa from America. J BROOKS
SPECTOR spoke to the group after they performed for the students of
Johannesburg’s National School for the Arts.
Visiting
South Africa at the moment is a new chamber group from America, the
Harlem Quartet. The Sphinx Organization, a non-profit group dedicated
to improving the ethnic diversity in America’s classical music
world, established the group in 2006. Bringing together four young,
immaculately trained African American and Hispanic musicians, they
play the standard classical chamber repertoire, as well as pieces
like Joaquin Turina’s La
Oracion del Toreo,
compositions by contemporary jazz legends like Chick Corea and Wynton
Marsalis, and classic pieces by Billy Strayhorn and Duke Ellington,
now arranged for string quartet.
Whitney.org: 'Alicia Hall Moran and Jason Moran in Residence May 9-13' with 'BLEED'
[Rehearsing
for the premiere of Slang (Other Minds Festival of New Music,
San Francisco, 2011). Video stills from a forthcoming documentary on
Jason Moran by Gregg Conde and Radiclani Clytus. © Gregg Conde and
Radiclani Clytus; courtesy Gregg Conde]
2012
Biennial Residencies
BLEED,
2012
Live music and mixed-media installation
Commissioned by
the Whitney Museum of American Art, New York, for the 2012 Whitney
Biennial
For
their Biennial residency, Alicia Hall Moran and Jason Moran present
five days of live music, exploring the power of performance to cross
barriers and challenge assumptions, as their title, BLEED,
suggests. With a line-up of concerts and events spanning music,
dance, theater, and literature, as well as an exhibition of past
video collaborations with Glenn Ligon, Joan Jonas, Kara Walker, and
Simone Leigh and Liz Magic Laser—and a new video by the cultural
historian Maurice Berger—BLEED
is a celebration of surprising synergy across the visual arts and
music.
The Morans’ decade-long artistic partnership is
perhaps the most poetic “sound bleed” of all. Alicia Hall Moran
is a Broadway musical actress and classically trained mezzo-soprano
of extraordinary warmth and eloquence; Jason Moran, a MacArthur
Fellow and the artistic adviser for jazz at the Kennedy Center, is an
acclaimed pianist/composer whose innovative style provides an
influential vision of what jazz can be in the twenty-first
century.
Free with Museum admission; no special ticketing
required.
Music at St. Mary's with The Harlem Chamber Players: Sunday, April 29, 2012 at 3 PM
Music at St. Mary's with The Harlem Chamber Players
Sunday, April 29, 2012 at 3 PM
Wilmer Wise, Trumpet;
Philip Payton, Violin;
Richard C. Alston, Piano
Comment by email:
Hi Bill, Thanks again so much for your support. We have both your sites listed in our program. Have a good night. Liz [Liz Player]